The Great Eastern Cutlery #89 is one of the few patterns of theirs that I haven’t tried in my time as a GEC user and collector. One reason for this is that this pattern hasn’t been produced in years, even since before I became aware of GEC, and they weren’t made in huge numbers relative to today’s run sizes. So I decided to check out this one in the very season fitting Pumpkin Patch Acrylic.
Similar in length to the Case Sodbuster JR and GEC #15 TC Barlow
The #89 is a long slender 4″ sleeveboard pattern. My specific example is splitback whittler. That means there are two backsprings, one for each secondary blade, that has a wedge between it so that it comes together as one backspring for the main blade. These long slender sleeveboard patterns are often called Melon Testers, especially when it has one blade, because their long slender blades are perfect for slicing out a taste of fruit. GEC calls this knife the “3 Blade Melon Tester Whittler”, so they basically threw all the descriptors they could into the name except “splitback”.
A great example of complex blade fitting
My version has Pumpkin Patch Acrylic handles. They’re a mix of pearlescent orange with swirls of black, but mine doesn’t have much black at all. Sometimes people see synthetic handle materials as uniform and without the character of natural handle materials, but GEC’s acrylics are always unique and you never know what you’ll get (unless the dealer/seller has individual pictures of each knife). I personally like the handles, although I do wish they had more black swirls, and they’re a perfect fit for this Halloween and harvest season.
The wedge that separates the springs, making it a “splitback”.
This knife is well made, and honestly I was pleasantly surprised by how much I like it. I expected the tip of the main blade to be noticeably proud, due to the slender handle, but it is not proud and I can’t catch a finger on it. There doesn’t seem to be any blade rub, and the main blade sits pretty well centered between the two secondaries. This fitting of the blades is certainly a commendable feat, and a great example of how well GEC can make even these complicated patterns. I also expected the main blade to have blade rap, where the edge hits the backspring, due to the slenderness of the handle (especially if it didn’t have a proud tip). However, it shows no blade rap at all even when allowed to close on its own. Part of the reason for this could be that the pulls on all three blades are relatively light, maybe a 3 or so. However, I like the pulls at this strength as it makes it easy to open and eliminates blade rap while still providing nice walk and talk and snap both open and closed. I bought this knife thinking I’d like getting the chance to look it over but not have any desire to keep it, but with how nicely it is built I wish I could put it in my pocket as a user!
Great Eastern Cutlery made several versions of the #89 pattern including the “3 Blade Melon Tester Whittler” (my version), the “Riverboat Gambler” (cool name, in my opinion) a pen knife version, the “Executive Whittler” with a wharncliffe main, and even some in stainless. However, they can be difficult to find. Mine was made in 2009, and the last time they were made was 2012, so it’s been almost 8 years since they made the #89 pattern. Hopefully they make some more soon, and if so I suggest getting yourself one!
T(oo)L(ong);D(idn’t)R(ead)? Here’s the accompanying video review.
The WarHorse is a modern slipjoint made by LionSteel for CollectorKnives. It’s one that I’ve been looking forward to trying for a while, as CollectorKnives announced it on their Early Reserve page early this year. I had previously tried the CollectorKnives Shuffler, which is the single clip blade version, and liked it other than the handle material. The main reason I decided to get this knife is a bit convoluted; Mike at CollectorKnives had an SFO made by Great Eastern Cutlery in 2014 of a #77 NorthField barlow with clip point and wharncliffe full sized blades. I decided not to get one and wish I had. When I saw Mike was doing one of his modern barlows with the same blade combination I decided to check one out.
Two big full blades, clip and wharncliffe
The WarHorse is an interesting mix of modern and traditional. First and foremost, it is a slipjoint. It is non-locking, and uses a backspring to stay open and stay closed. It also has the hallmarks of a traditional barlow; an elongated bolster on a jack frame. Additionally, it’s a two hand opening knife that uses long pulls. Finally, on the traditional side, the clip point and wharncliffe blades are traditionally shaped. However, that’s where the traditionality ends. Rather than being pinned, the WarHorse is held together with torx screws. It also has a pin that the blade kicks fall upon when closed, eliminating the risk of blade rap. Finally, rather than the blades pivoting directly against the liners like on a traditionally built knife, the WarHorse has phosphor-bronze washers between the blades and liners.
The grip is comfortable enough with either blade open due to the width of the handle
The grip is slightly more ergonomic with the Wharncliffe open
LionSteel did a great job making this knife. It came with nice action; great walk and talk, healthy snap, and a nice 5.5ish pull (just a little stronger than a Victorinox Swiss Army Knife). The blades are nice and tight, with no play or wobble, and they’re both centered dead down the barrel. The fit is different than on a traditionally made knife. Since the knife is held together with screws, the transitions between handle cover and bolster and liners and springs can’t be polished flat. Instead, all of the edges are nicely rounded so that they come together smoothly. The washers help to provide extremely smooth action without any blade play right out of the box, but they also create small gaps between the blades/springs. The blades seem to be ground quite thin, for good slicing capabilities, and evenly. The long pulls (which, unlike on the vast majority of traditional slipjoints, are on both sides of the blade) are a little more rounded than I’d prefer. A traditional long pull has a square / angled inside upper edge which allows the fingernail to catch securely, whereas the WarHorse long pulls are radiused. This radius can sometimes lead to my fingernail slipping off the blade, especially on the pile side wharncliffe blade. Although the WarHorse is not traditionally built, it is certainly built well.
Back springs with no spacer
Stop pin that eliminates blade rap
Brass washers for smooth action
Perfect centering and full blades
Really nice carbon fiber goes well with the titanium bolster
Collector Knives etch
One of the WarHorse’s biggest drawing points is its high end materials. It comes in several different handle materials including olive wood, ram horn, ebony wood, and carbon fiber. I went with the carbon fiber, because I think it really fits with the traditional meets modern aesthetic. Knives have been handled in synthetic materials for around a hundred years, like micarta and celluloid, but carbon fiber is a new age material and I felt that it represented the mix of modern and traditional in the overall WarHorse. It is handsome carbon fiber, with no noticeable voids and a nice even weave. The blades are M390 steel. M390 is a recent super steel that is well liked for its high performance across all categories: edge holding, toughness, corrosion resistance, and sharpenability. Finally, the liners and bolsters are a nice tumbled titanium, for strength and lightness. The materials on the WarHorse are high end, but I do believe (if the WarHorse was made with pin construction) the materials do not exclude it from being a traditional knife. I really appreciate the high end materials that make up the WarHorse, especially considering super steels are so rare on production slipjoints.
Ready to put in lots of work
Overall, I think the WarHorse is a knife that the slipjoint market needs. It brings to the market a knife with high end materials and newer build technology while retaining a respect for and homage to the traditional knives from which it draws inspiration. I don’t think it has the same spirit and soul as a traditionally made barlow, if I’m being honest, but it offers more muscle and utility to even things out. The WarHorse builds a bridge between the modern and traditional knife segments, and hopefully will continue the trend of production knife companies making knives with traditional designs.
Compared to some recent GEC patterns, the #29 and #97
Thickness compared to the single blade #97 and 3 blade/spring #29
Compared to the Spyderco Domino and Spyderco Native
The WarHorse is a CollectorKnives exclusive. You can get one for yourself from CollectorKnives.net (they are in stock as of 8/20/19). You can find all of the different versions for between $162 and $172 at this link. Tell Mike you heard about the WarHorse on Knife Thoughts!
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Father’s Day is a time to celebrate the lessons handed down from our dads, grandfathers, and whomever we’ve been privileged to have as father figures. One of the things my father passed on to me is an appreciation for knives.
My dad is an avid outdoorsman. He was an Eagle Scout, fishes regularly, has gone on many extraordinary hunting expeditions that border on survivalist outings. His interest in knives stems mostly from the fact that they’re essential in those kinds of outdoors activities, as well their usefulness in everyday tasks. He isn’t a collector, though through the years he has accumulated a good number of knives. As a non-collector, he doesn’t often keep his knives in great shape and tends to get a replacement when his current carry breaks down. He originally used traditional knives and I remember him using them when I was younger, but he switched to assisted opening modern knives sometime in the 2000s. Due to his tendency not to hang onto knives like a collector, I haven’t been able to check out many of his older knives, especially from before he switched to modern knives.
My dad’s knife displayed in a geode
However, while visiting him this weekend I stumbled upon an old gem; his old fishing knife. The knife is a Case #48 Slimline Trapper. I knew right away from looking at it that it was Case’s classic Slimline pattern, and Case’s pattern number list confirms (linked here). It’s a knife that Case has made for decades and continues to produce today. It’s a great utility pattern; easy to carry because of the thin handle, good amount of belly for skinning and such, useful tip, and a long edge for the overall size. I am sure that the handles are jigged synthetic, but Case’s handle designation number system (linked here) only confirms that it’s either jigged synthetic, laminate, or bone. My dad said he bought it about 50 years ago and used it all the time as his fishing knife. I took a look at Case’s tang stamp dating system chart (linked here) and he wasn’t too far off; it’s a 1974 6 dot normal “s” model.
Case XX U.S.A. (normal “s”) 6 dot stamp
61048 pattern designation
It’s pretty dang cool to not only be able to look over a knife used by my dad for years, but also to confirm its identity and age. For a well used 45 year old knife, it’s in admirable shape. Sure, it has some blade play and lots of patina. Even some gaps around the scales and spring. But it has great action with snappy walk and talk, and a nice even grind and sharp edge. This Slimline Trapper is a real testament to the fact that a well made slipjoint knife can be used hard and last for decades. The knife below (bottom knife) is a Queen #11 Utility Trapper. It’s not called a Slimline Trapper because that term belongs to Case, but it’s the same pattern. It was a gift from my dad. I’ve used it many times while hunting and fishing, including on some trips with my dad. It already was a knife I’ll keep forever, but I appreciate it even more now knowing that my dad carried an extremely similar knife. Like lessons, our fathers can also pass down physical items like knives that are imbued with meaning.
Queen #11 Utility Trapper on the bottom
As an interesting post script note, upon looking closely I realized that the shield is not pinned even on this 1974 Case! So the glued shields must not be a new development for Case. This is very interesting to me, and I plan to do more research into when Case stopped pinning their shields.
This article will provide a short review of the Kershaw Launch 4 from my perspective as an admirer, but not a user, of automatic knives. Unfortunately due to ludicrous, unreasonable, impractical, unjust, immoral, and vague laws I’m not willing to carry automatic knives. I could write a whole article on why restrictive knife laws in general, let alone the federal switchblade ban, are wrong and should be repealed. That, however, is not the purpose of this article. This article will give you my thoughts on this particular knife thanks to the generosity of my friend Joe, who loaned me the knife.
Three Pointy Knives: Kershaw Launch 4, Kershaw Decimus, GEC Northfield #65 Ben Hogan
Specifications
The Kershaw Launch 4 is a small out the side automatic knife. It is made by Kershaw in the United States. It has an anodized aluminum handle and CPM 154 blade. It comes with a typical Kershaw pocket clip. This particular model is all blacked out, with black anodization on the handle and a black diamond like coating on the blade. The blade is 1.9″ and the handle is 3.2″. It has a push button lock that both actuates opening and unlocks the blade for closing.
It is not a large knife
Ergonomic in the highly practical pinch grip
Disappears in a hammer grip
Build Qualities
Upon first opening this knife my mind was immediately sent to the “Noisy Cricket” from Men in Black. This thing might be small, but it’s snappy! It opens with a quite audible “THWACK” as quickly as any other automatic knife I’ve ever handled. The centering is pretty much perfect. There’s no blade play to be found. The grind and edge seem to be even. I appreciate the extra machining touches of the swedge and the chamfered edges on the handle. It has an integrated backspacer that is formed by extensions of each handle scale.
Well centered
Integrated backspacer
Not deep carry, but easy to access
Reflections
I just plain like this knife. I like the design and look of it a lot; it has an extremely classic spear point blade shape that would work well for all kinds of small cutting tasks, and it has a nice simple handle shape that (as I often say) lends itself to comfortable ergonomics. The handle and blade shapes put together vaguely remind me of a paleolithic knife, but miniaturized and (obviously) modernized. I think a button lock is a good choice on an out the side automatic, which is evident in how frequently it is used on such knives. I also like mini knives for their ease of carry and simple funness, despite definitely preferring a larger blade on my main carry and use knife. This would be a good option if you want to carry a knife in your watch pocket. Another interesting thing related to its size is that this knife is actually legal in California. As crazy as it seems, automatic knives with blades under 2″ are legal to carry in California (of all places) but not where I live. The clip doesn’t lend itself to deep carry, with a little under an inch showing above the pocket, but it does make it easy to pull out of the pocket. I can’t be sure, but I think the pocket clip for the Zero Tolerance 0560/0561 would fit and Kershaw/ZT (both under KAI) are usually willing to send out a clip.
Conclusions
If you’d like to venture into American made automatic knives the Kershaw Launch series is a great way to go. They’re well made knives with some interesting designs backed by Kershaw’s great service and warranty. The Launch 4 is a small offering, but it packs a lot of style and a whole lot of snap into the small frame. You can find it at several dealers, but Northern Knives has three of the versions at great prices: They have the ALL BLACK, GRAY / BLACK, and BLUE / BLACK versions (respectively linked) each for $79. BladeHQ also has a version with an uncoated blade and TEAL handle linked here on sale for $70.
The question of what the “right way” to express enthusiasm for knives is one that shouldn’t need answered. I find it silly and overbearing for anyone to suppose that they should or can tell another the best way to enjoy a hobby. Still, I have gone through several phases in regard to the idea of keeping knives as collection pieces in contrast to keeping them as using tools, and I think others have had similar shifts in perspectives. In this post I’ll describe my progression through those stages and how my current collection looks… but no guarantees it won’t change again!
A tasteful knife display, the stand a gift from my fiancee
I, like many, started with having only one knife that I used for everything. I didn’t even really consider the idea of having knives as collection pieces, and probably would have scoffed at the idea had it been suggested. Still, I was what I would consider a knife enthusiast though, as I appreciated the knife not just as a tool but as a piece of mechanical workmanship that elevated man’s most ancient tool to a higher level. I think there is a silent but quite large population of people who fit this category; they appreciate a good knife and see it as more than a disposable tool, but they don’t venture further into the hobby with more knives and deeper research.
I store my modern knives in a cheap single layer tackle box
Most of my modern knives, all users to varying degrees
A desire to know more about a particular knife brought me to the next step in the knife hobby. I don’t remember exactly what I was looking up, but in the process I found BladeForums and my eyes were opened to the wide world of the knife hobby. As I read, watched, and listened I grew more knowledgeable on knives, the knife making process, and the knife community in general. At this stage I began to purchase more knives beyond one user, but the number stayed relatively low and all were used regularly. I think this represents another distinct stage in the knife enthusiast scale, as it is a step out of appreciating knives as an individual separate from any other enthusiasts, and into the larger knife community. I stayed at this stage for a while, buying and selling and trading knives as I learned. During this stage I never amassed a significant enough number of knives that any would go unused for long. I think this is a stage that a lot of people also stay in and don’t move deeper into the hobby from, but fewer than the previous stage.
I store most of my user traditionals, sharpening gear, and random EDC stuff in a multi layer tackle box
Some of my user traditionals
The final stage is reached when you have more than enough knives to use, but you keep buying them anyway! Often, I think people reach this stage also because they start to realize their preferences and build coherent collections. This is when knives accumulate to the point that some don’t get used. Another thing that often happens before this stage is you start to accumulate knives that are rare, have sentimental value, etc. that make them less likely to be used. This stage probably has the widest variation in expression; some people might have one knife they use all the time and 100 (or 1000) that they never use or carry at all, and some might have 100 knives that they carry and use in a rotation and only 10 (or 1) that they have as a non user collection piece. I fall somewhere on that spectrum closer to the latter end.
I store my non user knife collection in a Pelican case
Top Row: GEC #46 Whaler AMKCA 2018 Club Knife, GEC #46 Whaler 2018 Rendezvous Special, GEC #38 Special 2017 Rendezvous Special, GEC #74 Mustang 2016 Rendezvous Special, GEC #74 Improved Trapper 2015 Rendezvous Special, GEC #15 TC One Arm Barlow 2014 Rendezvous Special Bottom Row: Queen Copperhead, GEC #53 Cuban Stockman, GEC #82 Dixie Stock Knife, Victorinox Spartan Costa Rica
However, I don’t believe those stages tell the whole story of knife collecting. For me, being a knife collector is about enjoying the hobby. For some people, that means having and using one knife till the wheels fall off. For others, that means buying every trendy or appealing knife that comes out and keeping them pristine. For me, it has come to mean many things. First, it means enjoying the knives I have. While I do keep some knives as pristine as possible, I try to enjoy them by displaying them and showing them at knife club meetings and shows. Other knives I enjoy by carrying and using them. I find that using a knife is the best way to enjoy it. It just feels right to use a knife as a tool, and doing so seems to confirm its value and place as the most fundamental human tool. So, why not use all my knives? For a long time, I didn’t think I had a satisfactory answer to that question. I had valuable knives, both of the monetary and sentimental type, but I thought that if I didn’t use them it was a waste to keep them. However, that led me to sell knives that I later wished I had kept (which will be the subject of another article). Now, I’ve become comfortable with the idea that some knives are better kept in good condition whether it be because they’re valuable, part of a set, or meant to be an heirloom. I have a small collection of knives I don’t use. Some of them are the Great Eastern Cutlery Rendezvous Specials. These are knives made in small numbers for the gathering GEC holds in Titusville every year and only available at the gathering. They’re usually unique knives in some way. They’ve become the main part of my non user collection, as they’re easily the most coherent and rare set of knives I have owned. I actually did use the first couple of these initially, but later decided they were better kept in good condition to form a recognizable and consistent set. I also have a Queen Copperhead that is the best Queen made knife I’ve ever seen that I don’t use because Queen has unfortunately gone out of business. I plan to add some more Queen knives to my non user collection, as I want to have some examples from Queen as one of the most historic cutlery companies in the U.S. and they’ll only get scarcer the longer its doors have been closed. I also have some knives that have been given to me as gifts from friends, family, and loved ones. Despite it seeming silly to not use knives as tools like they’re inherently intended, some knives are worth maintaining in good condition for posterity.
Great Eastern Cutlery Rendezvous Specials on the knife stand from my fiancee, top to bottom: #46 Whaler 2018 Oily Heart Pine Wood, #38 Special LVS Paua Abalone 2017, #74 Mustang Primitive Bone 2016, GEC #74 Improved Trapper Tortoise Shell Acrylic 2015, GEC #15 TC One Arm Barlow Oil Sucker Rod Wood 2014
Thanks to my fiancee for the idea for this article and the inspiration for the title! In her words “Your heart wants to use all the knives but your head says you should keep some nice”. I can’t thank her enough.
