The Great Eastern Cutlery #89 is one of the few patterns of theirs that I haven’t tried in my time as a GEC user and collector. One reason for this is that this pattern hasn’t been produced in years, even since before I became aware of GEC, and they weren’t made in huge numbers relative to today’s run sizes. So I decided to check out this one in the very season fitting Pumpkin Patch Acrylic.
Similar in length to the Case Sodbuster JR and GEC #15 TC Barlow
The #89 is a long slender 4″ sleeveboard pattern. My specific example is splitback whittler. That means there are two backsprings, one for each secondary blade, that has a wedge between it so that it comes together as one backspring for the main blade. These long slender sleeveboard patterns are often called Melon Testers, especially when it has one blade, because their long slender blades are perfect for slicing out a taste of fruit. GEC calls this knife the “3 Blade Melon Tester Whittler”, so they basically threw all the descriptors they could into the name except “splitback”.
A great example of complex blade fitting
My version has Pumpkin Patch Acrylic handles. They’re a mix of pearlescent orange with swirls of black, but mine doesn’t have much black at all. Sometimes people see synthetic handle materials as uniform and without the character of natural handle materials, but GEC’s acrylics are always unique and you never know what you’ll get (unless the dealer/seller has individual pictures of each knife). I personally like the handles, although I do wish they had more black swirls, and they’re a perfect fit for this Halloween and harvest season.
The wedge that separates the springs, making it a “splitback”.
This knife is well made, and honestly I was pleasantly surprised by how much I like it. I expected the tip of the main blade to be noticeably proud, due to the slender handle, but it is not proud and I can’t catch a finger on it. There doesn’t seem to be any blade rub, and the main blade sits pretty well centered between the two secondaries. This fitting of the blades is certainly a commendable feat, and a great example of how well GEC can make even these complicated patterns. I also expected the main blade to have blade rap, where the edge hits the backspring, due to the slenderness of the handle (especially if it didn’t have a proud tip). However, it shows no blade rap at all even when allowed to close on its own. Part of the reason for this could be that the pulls on all three blades are relatively light, maybe a 3 or so. However, I like the pulls at this strength as it makes it easy to open and eliminates blade rap while still providing nice walk and talk and snap both open and closed. I bought this knife thinking I’d like getting the chance to look it over but not have any desire to keep it, but with how nicely it is built I wish I could put it in my pocket as a user!
Great Eastern Cutlery made several versions of the #89 pattern including the “3 Blade Melon Tester Whittler” (my version), the “Riverboat Gambler” (cool name, in my opinion) a pen knife version, the “Executive Whittler” with a wharncliffe main, and even some in stainless. However, they can be difficult to find. Mine was made in 2009, and the last time they were made was 2012, so it’s been almost 8 years since they made the #89 pattern. Hopefully they make some more soon, and if so I suggest getting yourself one!
This article will provide a short overview of the Great Eastern Cutlery #97 Kifer Cutlery Classics Special Factory Order Northfield Allegheny. I received this knife from Gary Kifer of CutleryClassics.com at the 2019 Rendezvous to have, test, and review. I was happy to get a user #97, as I thought it would make a great larger slipjoint carry.
I had some experience with the #97 Allegheny pattern through the Allegheny Mountain Knife Collectors Association 2019 club knife (you can find my article about that knife at this link). I really liked the knife from an aesthetic perspective, but because it is a club knife I reserved it as a collection piece. So I was excited, and looking forward to putting it through its paces, when Gary gave me this one.
The 2019 Allegheny Mountain Collectors Association club knife
To give you the run down on what the knife is; it’s a 4.75″ closed slipjoint with a saber ground clip point blade and coke bottle frame. You can learn more about the coke bottle pattern in my article on the #06 Pemberton at this link. The blade has a double pull, meaning it has both a long pull and a nail nick. The handles are Amber Jigged Bone. It has Cutlery Classics’ trademark shield. The bolster is engraved “23” out of a run of 99. All of these characteristics brought together make it a great reproduction of a vintage large coke bottle hunter.
GEC made several versions of the Allegheny pattern in this first run, with a bunch of handle materials and two different blade grinds, and I think this is one of the best of them.
Not everyone likes a saber grind or the double pull, but I really like its look and the fact that it hearkens back to vintage coke bottle hunters. Although the saber grind can sometimes slice less smoothly through dense materials than a full flat grind or high hollow grind, it has performed well on all kinds of tasks (from breaking down cardboard to gutting fish). I also like the practicality of having both the nail nick and long pull. The nail nick being at the end of the blade provides more leverage, while the long pull will remain above the frame (allowing the blade to be opened) long after the nail nick drops below the frame from sharpening and filing the kick. Of course, most people won’t sharpen the knife enough times for this to be relevant, but as these are heirloom quality knives it’s good to know it could be passed on and continued to be used for years to come.
I was also pleasantly surprised by how much I like the bone color and jigging pattern. The color is a nice malty wheat color, and I think it will continue to mellow and improve with age. I also really like the jigging, as it’s not as uniform as some of GEC’s jigging patterns and it actually provides some grippiness in the hand. Some people found the pull on these #97s to be lighter than they expected on such a big knife, and mine is light for a GEC at about a 4, but the action is very smooth and snappy with great walk and talk. On a user, I think there’s a balance between a pull being too strong to be convenient to open and too weak to keep the blade fully open in use. This knife falls nicely between.
Basically, it’s another well built and classic looking Great Eastern Cutlery that’s equally suited as a user or a collection piece.
I have used this knife a lot since getting it, and I’m enjoying it more and more. It’s certainly a big knife for a slipjoint, but I’ve found it easy to carry and it’s always nice to have that extra blade length. The #97 Northfield Kifer Cutlery Classics Special Factory Order is another top notch knife from Great Eastern Cutlery. If you’d like to get one for yourself, there are still some available on the Cutlery Classics site at this link. Thanks again to Gary for providing this one!
Here’s a video of the knives I got at the 2019 Rendezvous, starting where I talk about the #97
TL;DR? Here’s my video review. Sorry the sound is kind of muffled, not sure why. I was incorrect on one point; Mike has not done more than one run of #77 Barlows per year.
The #77 Northfield Yankee Barlow is one of GEC’s most perennially popular patterns, for good reason. The #77 Northfield Barlow is done exclusively, through a gentleman’s agreement, as a Special Factory Order for Mike Latham of CollectorKnives.net (although GEC does make other knives on the #77 frame). The first #77 Barlows were made in 2014 and simply called the “Northfield Barlow” but on this run the nomenclature has been updated to the “Yankee Barlow”. No matter the name, the #77 Barlow is a classic and highly sought after knife, and in this article I’ll tell you why!
The #77 Yankee Barlow in African Blackwood next to my #15 TC Barlow in black dyed Smooth Ivory Bone
So, what is this knife anyway? It is a swell end shaped jack barlow, meaning it is wider and rounded at the butt end and squared at the blade end with straight sides. Being a barlow, it has an elongated bolster. Like many traditional barlows, the bolster is stamped with an identifying mark. On this knife it is a script “NF” for NorthField. It has a classic long straight spear point blade with cut swedges after a match strike long pull. As a GEC made knife, it is a slipjoint with pin construction. Mine has African Blackwood handles, but this run also had handles in Amber Sawcut Bone, Red Sawcut Bone (which Mike often includes on his SFOs), Natural Linen Micarta, and just a few in Snakewood. All the knives in this run were the same spear point blade shape as mine, and each handle material is reported to have been produced at about 125 knives (except the Snakewood with only ~15). So although it is not as rare as the early runs, it is still a low production run considering GEC’s current output. That, along with the consistent appeal of barlows, make it a highly sought after knife.
The Buck 119 and Yankee Barlow make a handsome and useful duo
So, how does one purchase a CollectorKnives GEC #77 Yankee Barlow? Well, unfortunately, if you haven’t already purchased one of this run directly from CollectorKnives, you’ll have to find one on the secondary market. Mike uses an early reserve system, which you can find at this link, rather than a “drop” system where the knives are posted for sale on his site all at once at a specified date and time. Over the last year or two Mike has put a lot of work into finding the right system to notify people of when knives go up for reserve. As of now, he has landed on using an app called Telegram, which you can find at this link. On that app you’ll need to follow CollectorKnives and allow notifications, so that you know when he posts knives for reserve. This run of Yankee Barlows actually went up for reserve in July of this year I believe, at a time when I wasn’t buying knives, so I missed the reserves. However, Mike had a few knives available and gave some interested people the option to request either African Blackwood, Linen Micarta, or Snakewood. He said that the Snakewood had little character, so although Snakewood was the rarest of the bunch I put African Blackwood as my top pick, and that’s what I got! I really appreciated the opportunity to get one, despite missing the reserves. However, if you missed the reserves that doesn’t mean you will necessarily have to buy one at the much inflated eBay pricing. I suggest checking out the BladeForums Exchange, where people tend to sell at more reasonable prices than on ebay (and are sometimes open to trades), linked here. Secondarily, you could check FaceBook groups like Great Eastern Cutlery, Great Eastern Cutlery Club, etc. You might still have to pay a bit of a premium, over the dealer price of ~$125, but if you keep your eyes peeled I’m sure you can find one at a good value… the Yankee Barlow is worth it!
Case Trapper, Yankee Barlow, Victorinox Alox Farmer
Ontario Rat 1, Yankee Barlow, Spyderco Native 5
So what makes the Yankee Barlow special? Well, naturally, it is built with the attention to detail and high quality that has skyrocketed GEC to popularity. It has great fit and finish (mine did have a very small patina spot on the pile side bolster), with flush transitions, no gaps, a perfectly centered blade, and great grinds. The action is extremely satisfying with about a 5.5 out of 10 pull, smooth and snappy with great walk and talk and a half stop, even with no blade play. The edge came more thinly ground than most I’ve gotten from GEC, although like many it was thicker at the belly, so I did re-apex it. One thing that seems to bother some is the “CK” CollectorKnives etch. This addition is not something that Mike wanted or requested; Great Eastern Cutlery recently instituted a policy that all SFOs must have an etch identifying the ordering dealer. It’s a perplexing policy that doesn’t seem to help anyone, but I don’t want to say too much one way or the other until I know the reasoning behind the policy. I did call GEC, but Joan Mae (their new sales manager) didn’t know the reason for the policy. I then emailed Bill directly, but I haven’t heard back from him as of this writing. Mike made the good call of having the etch put on the pile side, and used a very minimalist version of his logo. The only downside of it to me is that the knife that makes the “K” in the logo is a modern knife, but that is a tiny very petty nitpick, and the etch will eventually wear off with use and polishing.
The CollectorKnives “CK” etch as required by GEC’s new policy
However, any negatives with the etch are far outshined by the classic beauty and practicality of the knife. It just looks great. The stamped elongated bolsters and dark African Blackwood scales, with some streaks of brown and nice chatoyance underneath, give it the look of a classy refined barlow. The long straight spear point would fit in great next to the vintage knives it is based upon, especially with the matchstrike pull and cut swedges. Beyond its good looks, the Yankee Barlow will also make a great user. Because it’s a little larger than the GEC #15 frame, it’s easier to get a full four finger grip and bear down in use. You also get about 3″ of blade, which is a solid length for an easily carryable pocket knife. The spear point offers a generous amount of straight edge, but enough belly to be useful and a tip that should work for most piercing tasks. Although it’s not a cheap knife, it will make a great user, and it will sure look handsome while in use!
Overall, as you have probably inferred, I am very happy to have gotten this Great Eastern Cutlery made Northfield #77 CollectorKnives Yankee Barlow in African Blackwood. Not only is it a great knife, but I received it upon coming home from a Meniscectomy, so it was quite a good cheer me up! Don’t forget to subscribe here via email for updates when I post new articles, check out and subscribe to my YouTube channel, like my FaceBook page, and follow my instagram feed.
I recently set out to do a full collection overview video. A few people have requested an update to my previous collection videos, and my collection has changed some since I made those first videos. I intended to do the video rapid fire style and condense it into one video with a run time of under an hour. However, I had to stop filming after the fixed blades and modern knives and realized the length would necessitate a two part series. I intended to cover all of my traditional folding knives in the second video, but it just took too long covering the non – GECs. So 3 parts it is! I hope my enthusiasm for knives comes through in full force and you derive some enjoyment from perusing my collection along with me.
Part 1: Fixed Blades and Modern Folding Knives
Part 1: Fixed Blades and Modern Folding Knives
Part 2: Non – GEC Traditional Folding Knives
Part 2: Non – GEC Traditional Folding Knives
Part 3: Great Eastern Cutlery Folding Knives
Part 3: Great Eastern Cutlery Traditional Folding Knives
I appreciate all of you who watch my videos, especially these longer ones. They certainly make for marathon watch sessions. I often watch longer knife videos in parts while I’m cooking and things like that, and I find it’s a great way to take in a full video even on a busy schedule. Although I have a solid core of keepers, there are always lots of ins and outs in my collection so it’s nice to put a snapshot out there of how it stands at this time. Don’t forget to subscribe to my blog here by entering you email, and subscribe to my YouTube channel at this link.
Great Eastern Cutlery is wont to run by their own rules. Quirkiness is one of their most characteristic attributes, and both the boon and bane of collectors depending on the situation. One example of their unusual approach to knifemaking can be seen in their “parts” aka “special factory assembly” knives. This article will explain what these knives are, how they are purchased, and how they fit into the collector market.
My haul from the 2019 GEC Rendezvous
These knives are built using leftover parts from previous runs of knives. Sometimes they are made from recent runs within the same year, and sometimes they’re made with parts from frames that haven’t been used for several years (like this year’s #65s). They often feature different handle materials, shields, and sometimes even different blade or handle shapes than previous runs (from which they drew their parts). For example, at this year’s Rendezvous (2019) GEC had lots of knives built with parts left over from previous runs: #65 Ben Hogans, #85s in different configurations than the normal runs, #97s with the Tango guitar shield (which they haven’t used in a while), and even some stainless #74 Mustangs (I was lucky enough to snag one!). Due to being made in previously unused configurations with old stock parts, you never know what these knives are going to show up as!
The Special Factory Assembly aka parts knives for 2019
GEC first referred to these knives in question as “parts knives” but has transitioned into calling them the more official sounding “special factory assembly” knives. This change in nomenclature has happened over the past two or so years, in conjunction with a change in how they are sold. These knives are only available for purchase at the factory store. They are made for the annual Rendezvous (if you’d like to learn more about why the Rendezvous is worth attending, read my article linked here). Originally, up until 2017 or 2018, there was no restriction on the number of these knives that one could purchase at a time. However, recently GEC has restricted each person to one “SFA” knife per transaction / time through the line at the Rendezvous / day at the Rendezvous. This rule makes it more difficult for a large number of these knives to be concentrated in one person’s collection, therefore making them even rarer and more sought after on the secondary market.
Not technically a Special Factory Assembly, but definitely a parts knife. #93 Lambfoot for Charlie Campagna, 1 of 27
These “special factory assembly” knives are sought after for several reasons. First, they tend to be made in low numbers. GEC has moved generally toward larger runs, so the fact that these parts knives are still made in runs of 4-40 knives makes them quite rare relative to other recent runs. On top of this, many of this year’s SFA knives were “S” models (I’ll be doing an article on what this means also, so make sure you subscribe via email for updates) which are less desirable due to their lack of warranty and supposed lower aesthetic quality. Beyond their rarity, the sheer fact that the SFA knives can only be purchased at the factory store makes them more difficult to purchase, and therefore more valuable. The “special factory assembly” knives tend to be highly sought after, especially just after the Rendezvous.
2019 Special Factory Assembly GEC #74 Mustang
I personally enjoy the “parts” aka “special factory assembly” knives because they’re just plain unique and interesting. I also enjoy that they’re a hallmark of and a keepsake from each Rendezvous. If you ever get a chance to pick one up, I highly suggest you do!
