If I’m being honest, I saw it coming; Pennsylvania has extended the state of emergency, safety measures that had been relaxed have been reinstated, and the Titusville Oil Festival (with which the GEC Rendezvous was always concurrently held) was canceled. Still, I’m sure it was a hard decision for Bill and everyone at GEC to make, and I’m very crestfallen.
I collect the Rendezvous Special knives, which you can only get at the Rendezvous. Check out this link and this link for videos on those knives. Still, worse than not having the opportunity to obtain this year’s piece of that collection is the missed discussions with other enthusiasts (and many collectors with much more knowledge than me, from whom I’ve learned a lot at past Rendezvous). However, it would have been difficult to maintain the current safety protocols and enjoy the Rendezvous as it has been in the past. Hopefully GEC has something else fun up their sleeve, and hopefully this isn’t too much of a blow to them.
Out of nowhere, Smoky Mountain Knife Works has reintroduced Queen Cutlery. Queen went out of business in 2018, and the future of the brand has been unclear since then. Recently SMKW posted a “Queen Pilot Test Run Mini Trapper” for sale on their site, and this article will showcase that knife and what it means for the Queen brand.
This knife came as a surprise to pretty much everyone. There were no rumors of it on the forums and Smoky Mountain Knife Works did no advertising before its release. Even upon release, there was very little fanfare; at first it wasn’t even featured on the SMKW homepage.
Once the knife was available for purchase on SMKW, there was still little solid information available. The product page said it was a test run Queen knife made in the U.S.A. for Smoky Mountain Knife works with black composite covers and 440 steel.
With so little official information available, the online knife community was abuzz with interest and speculation on the knife’s specifics.
The main question in discussion was; who made the knife? In this area, a consensus seems to have been reached that it must have been made by Bear & Son Cutlery. Here we can apply the old saying “read the knife, not the tang”. This means the best way to know the origin of a knife is to look at its characteristics and how it’s made, rather than what the tang is stamped or etched. In this case, due to the pattern’s similarity to Bear & Son’s Mini Trapper and other manufacturing hallmarks, it looks most likely to have been made in a Bear & Son factory. That said, SMKW has not identified the manufacturer, even when directly asked during a live video.
Another much discussed question was; why is SMKW coming out with a Queen knife? After the Titusville Queen factory closed and its assets were sold off, most believed that Bluegrass Cutlery had bought the machines and trademarks with intention to restart the brands. However, in a video SMKW said that they purchased the Queen and Queen City trademarks and plan to do a full line of knives under each brand. In the same video they explained that this knife was rushed to market because they had to use the trademark to keep it active. They said they have to do the same with a Queen City branded knife. Unfortunately, when asked if the future Queen and Queen City lines will remain made in the U.S.A., the SMKW representative said they didn’t know yet.
Queen collectors might ask what about Schatt & Morgan, Queen’s other well known and respected in house brand? A reputable source told me that Gilbert Cooper purchased the trademark and Queen’s machinery, and has promising plans for the brand. Cooper himself has posted on All About Pocket Knives forum about reintroducing the Schatt & Morgan brand with the goal of restoring its former place at the top quality tier of American pocket knives.
As for this Queen Pilot Test Run Mini Trapper, it’s certainly well enough made for being rushed to market. This knife is not made with the same quality level as a GEC made knife; I would put it in the same realm as Case knives. The blades are pretty well centered. The action is nice with about a 5.5 pull on both blades. The action was a little gritty at first, but after a little oil they’ve broken in to be relatively smooth. Neither blade has any wobble. Neither blade seems to have any rap or proud tips. There are some slight gaps between the springs and liners, and a gap between the pile side liner and cover. So the fit is pretty good. The finish leaves a little more to be desired. The transitions between the covers and bolsters, as well as the edges of the covers, are a little rough. The blades have something between an “as ground” type finish and a satin finish, while the bolsters are between a satin and polished finish. Unfortunately, the etch is not a particularly tasteful font and seems imperfectly placed and is very raised (enough so that it’s easy to catch your fingernail on it). The tang is not stamped, which I would prefer but adds an extra step and cost, but rather etched very plainly. The front tang is etched “Queen” and the back tang is etched “QN1 / U.S.A.”. I am glad they went with no shield instead of an unpinned (glued only) shield, like Case and others use. Overall, it’s a decently made knife for the price that would make a good user knife.
Although this SMKW Queen QN1 would be a great using knife, I anticipate it will become collectible. In the video I have referenced above, SMKW said that only 300 of these were made. Although that’s not a tiny number of knives, it’s a pretty small run compared to recent GEC general runs, let alone compared to Case runs. If SMKW handles the reintroduction of Queen and Queen City well (which I’m rooting for), this will have been what started it all and therefore sought after. If they don’t handle it well, or if they move production overseas, this might be the last American made Queen knife, and therefore sought after. Either way, it has sold out on Smoky Mountain Knife Works’ site so its value will soon begin to be established through the secondary market. That said, SMKW did say they have to bring a knife to market under the Queen City brand to retain the trademark and that it’s coming soon. So keep an eye out for that if you’d like to get one! In conclusion, I’m happy to see the Queen brand living on while being produced by Smoky Mountain Knife Works, and I hope to see great things in the future!
I sincerely thank you for your time, support, and interest! Don’t forget to tell your friends about KnifeThoughts.com, subscribe via email, and share this article on social media. You can find Knife Thoughts on YouTube where I have hundreds of knife videos, as well as on Instagram and Facebook! You can find all my latest links at LinkTr.ee/KnifeThoughts
Case has been the preeminent producer of traditional pocket knives since the turn of the 20th century, and that means they have built knives on countless patterns. Some of these patterns are made continuously as perennial standbys for the company, like the Peanut and Trapper, but others only appear on certain occasions. Case’s “Out of the Vault” series brings not recently seen patterns back into production, for only one calendar year.
Check out my unboxing video including the Case 2020 Vault Pocket Hunter here!
This year’s “Vault” pattern is the Pocket Hunter. The Pocket Hunter is a quirky little pattern that Case seems likely to have invented. It is not one of their oldest patterns, but it hasn’t been produced since its inception in 2001. The Pocket Hunter is a small, like VERY small, version of the classic full size Hunter pattern. It has a tapered handle that turns up at the butt end, with bolsters on both ends. There is a hump, or swell, in the center of the handle on the blade well side. Mine has two blades, a clip point and straight spine (what Case calls a skinner blade), both being full sized. However, like the full sized version, Case has also brought a few single blade versions out of the vault for 2020. It really is just a miniaturized version of the normal (and very large) Hunter pattern in every way.
The Pocket Hunter’s full length when open is just barely longer than the full sized Hunter’s blade.
I personally have been interested in this Pocket Hunter pattern from Case for a few years. I almost purchased a “new old stock”, aka still setting on a dealer’s site in new condition from a previous run, but waffled back and forth too long and let it get bought out from underneath me. So when I heard Case was bringing it out of the vault for 2020 I was pretty excited. Case is of course offering the Pocket Hunter in MANY handle cover material options, but I decided to go with the classic yellow synthetic. I went with this handle not only because it’s budget friendly, but also because it’s a classic traditional Case handle material that I have several knives in and because I got the 2019 Vault knife in the same handle material (you can read my article on that knife here and below). Why not start another set / collection, right?! Anyway, I found myself with a Pocket Hunter in Yellow Synthetic as my example of the Case 2020 Vault Knife.
This knife is made much like other Case knives; built well and completely functional, but noticeably imperfect. it came with some slight gaps between both springs and the corresponding mark side liners. This is certainly not a functional issue, but it is something that collectors will notice. both blades came well centered, with nice opening and closing action, and no blade play in either the open or closed positions. The edges came thin, but shockingly rough. I legitimately would love to know what grit Case uses to sharpen their knives, because it’s pretty amazing how toothy they are. This knife seemed to have a burr on both sides, somehow, and felt almost serrated. Thankfully the Tru-Sharp steel is not difficult to sharpen and I removed the burr relatively easily. Lastly, but not least in my opinion, I have to mention that the shield is unpinned (like all Case shields). I’d much prefer no shield over an only glued shield on a knife in this ~$50 price range. Still, overall it’s a well made knife with no practical issues whatsoever and only minor aesthetic imperfections.
The Case 2019 Vault Series Barlow and 2020 Vault Series Pocket Hunter, both in yellow synthetic
To get to the point, I am thoroughly enjoying this Case Pocket Hunter. If you read my articles or watch my videos you might know I enjoy quirky knives, and this is quirky in just how small it is. It’s a pattern known for being overly large, the full size Hunter, shrunk down to Peanut size (but with two full length blades, which is a bonus over the Peanut). I also enjoy small and large versions of patterns; like the GEC #22/#44, #18/#56, and #06/#97 patterns. It feels good in the hand, despite its small size. It’s easy to carry and should be welcome in all but the most anti-knife environments, thanks to its small size. It has satisfying walk and talk, with solid joints. It’s a small knife with big appeal!
The Pocket Hunter not only fits in your back pocket with ease, it will even fit in the smallest of pockets like the 5th pocket (aka watch pocket) or those ludicrously small pockets in women’s jeans. Its daintiness makes me want to get it in abalone (with the added bonus of the abalone version being shield-less). Despite its diminutive size, it is actually a pretty capable knife. The two full size blades make for more usable edge than a Peanut, despite the Pocket Hunter being shorter when closed, and are both shaped in a way that make them practical for a variety of uses. You know, the kind of stuff you actually use your knives for; cutting strings, opening mail, breaking down boxes, etc. I think this little knife will find its way into my pocket frequently, and if you also enjoy a tiny knife that punches above its weight in usefulness then I think it should find its way into your pocket also!
I sincerely thank you for your time, support, and interest! Don’t forget to tell your friends about KnifeThoughts.com, subscribe via email, and share this article on social media. You can find Knife Thoughts on YouTube where I have hundreds of knife videos, as well as on Instagram and Facebook! You can find all my latest links at LinkTr.ee/KnifeThoughts
T(oo)L(ong);D(idn’t)R(ead)? Here’s my YouTube review of the #86 Oil Field Jack!
Recently Great Eastern Cutlery began producing its first run of the new #86 pattern. The #86 is a jumbo jack pattern, which basically means it’s an enlarged version of the classic swell end jack shape like that found on a #15 or #77. GEC has named this pattern the Oil Field Jack, and it’s a fitting name. This hefty pocket knife would be right at home in the oil fields.
The jumbo jack is a pattern that has been around for a long time, but isn’t as well known as others. It’s an enlarged swell end jack, usually over 3.75″ closed. The GEC version is 3.875″ closed. They tend to have thicker handles. This is in part due to the more rounded covers, and in part to the fact that they are most often two bladed. The blades can even be ground from thicker stock than a typical jack. For example, according to Charlie Campagna, the #86 tangs are about .1″ wide, whereas a GEC #15’s tangs are about .09″. Interestingly, vintage jumbo jacks tend to have spear point main blades with pen secondaries, but the #86 has a clip point main and slender sheepfoot secondary. All of it comes together in the #86 to make an unusually hefty jack knife that is inspired by, but not a direct copy, of vintage jumbo jacks.
The #86 compared to a #78, #77, and #15 (from right to left)
Great Eastern Cutlery is making the #86 in several iterations. They’re making them under both their Tidioute and Northfield in-house brands, as well as some Special Factory Orders. The Tidioute versions all feature a quite unique, and appropriate to the name, wrench shield. They are being made with Oil Sucker Rod Wood, Natural Canvas Micarta, and Oily Creek Bone. The Northfield version will come in Autumn Gold Jigged Bone, Tortoise Shell Acrylic, and Sambar Stag. There will also be an SFO for Gunstock Jack’s Knives in Bloodwood with Bowtie shield, and for JSR Sports & More in Burnt Chocolate Peach Seed Jigged Bone with Propeller shield. Finally, there will be two more unique (and difficult to get) versions of the #86. First, the traditional knives subforum of BladeForums has ordered their yearly club knife on the #86 frame with a single saber ground sheepfoot blade, African Blackwood handles, and Bomb shield. At this point the only way to purchase that version is through the secondary market, as all have been pre-ordered months in advance. Second, Charlie Campagna is having a Waynorth Cutlery Black Jack produced. It will have a clip point main with more emphasized swedges and a pen secondary, Gabon Ebony Wood handles, and a Banner shield. You still might be able to get one of these by emailing the dealers through whom Charlie sells his SFOs, a list of which you can find at this link. The Waynorth Black Jack will probably be the most sought after of the #86s. With so many exciting versions of the #86 pattern coming soon, everybody should be able to find one they want!
The “jumbo-ness” really shows in the thickness. It’s thicker, due to the rounded covers, than a Case full sized trapper.
The first released Oil Field Jacks seem to be selling quickly, but you should be able to get one in your preferred handle material. This will be a relatively large run in regard to production numbers. However, GEC has been shipping knives to dealers in batches. This practice is both good and bad; good because it allows for more chances to get the knife you want, bad because it causes more scramble and makes the knives seem more scarce. As of this writing, all of the Tidioute versions have been released but if you act quick you should still be able to get at least an Oily Creek Bone model. There are some Natural Canvas Micarta versions still arriving at dealers, and maybe a couple Oil Sucker Rod Wood stragglers. None of the Northfield versions have been released yet, and they can be purchased from any of the GEC dealers (which you can find a list of at this link), so there’s definitely still time to get one. I think both the Sambar Stag and Tortoise Shell Acrylic will look awesome on this jumbo jack pattern; the stag because the big wide handles will give plenty of room to show off the unique character of each piece, and the tortoise because I just like the somewhat bold and garish look of that acrylic style. I’m sure the Autumn Gold Jigged Bone will be nice also, I just don’t get as excited about that particular dye color and jigging as some. I am probably most excited about the Waynorth Cutlery Black Jack (aside from / along with the one I already have). Not only will it be the most similar to vintage jumbo jacks with its long pulls, swedges, and Gabon Ebony Wood handles, it will also have that particular styling that Charlie brings to his SFOs that have made them so popular amongst collectors.
Compared to some well known knives, the Ontario Rat 1 and Case Trapper.
I got the Oil Sucker Rod Wood #86 Oil Field Jack. This is a knife I knew I had to check out as soon as it was announced. I already really have and enjoy a few other knives with the Oil Sucker Rod Wood covers. The Oil Sucker Rod Wood is reclaimed from the area around Great Eastern Cutlery. An oil sucker rod is part of the oil drilling process and the piece of equipment that pulls the oil up out of the well (you can find a video on the process at this link). Steel rods are used now and have been for a while, but in the early days of the oil industry wooden rods were implemented. One interesting quirk of this handle material is that, because it is reclaimed wood and there’s no record of what wood species was used for the wells from which the wood was reclaimed, one can’t be sure what wood these handles actually are made of. Some, including my dad who’s been in the industry for over 40 years, say that it’s likely Ash. Either way, it has a green hue from the crude oil that soaked into it during its previous life as a working sucker rod. The crude oil in the Titusville region is a particularly bold green color. I remember my dad having a little bottle of crude oil from the Drake Well, the first commercial oil well in the world (by most accounts) that is right outside of Titusville and only a couple miles from GEC, and it was just the same color as the handles on my Oil Field Jack. Finally, the wrench shield hearkens to the hard manual work put in on those early oil wells (not to say that hard manual work isn’t also put in on the modern wells!). All of it seems to reach back and connect the Oil Field Jack to local Pennsylvania history, making it much more than just an extremely well made knife.
Three knives in Oil Sucker Rod Wood. #18 Beagle, #15 2014 Rendezvous Special TC One Arm Barlow, and the #86 Oil Field Jack
Speaking of its build quality, my Oil Field Jack in Oil Sucker Rod Wood is impeccably made. It has smooth transitions between the covers and bolsters. The shield is fitted tightly, which is a feat on such a complicated shape as a double ended wrench. The blades are tight with no blade play. The action is great with nice snap and walk and talk, and about a 6 out of 10 pull (a little stronger than a swiss army knife) on both blades. Both blades are also well centered. In a huge relief to me, as these are the two most irksome and common issues to be found on GEC knives, neither blades came with proud tips or blade rap.
The Oil Field Jack is jumbo compared to other swell end jack knives, but it’s much smaller than some of GEC’s other large patterns. From left to right: #45 Lumberjack, #46 Whaler, #86 Oil Field Jack, #97 Allegheny, #98 Texas Camp Knife
I actually accidentally ordered two of these, and I have to admit that one was sent back. Sometimes you read or hear of someone “accidentally” ordering a knife, and you think “how can you possibly order a knife on accident?”. Well, I emailed two of my favorite dealers about this knife and, I thought, only heard back from one. So when I got a PayPal invoice for this knife, I just paid it. Later, when I got another, I realized that both dealers had emailed back confirming my reservation of this knife and one of their emails had gone to my spam folder! Anyway, the second one I received came with what I considered to be a poorly fit shield. There were noticeable gaps between the shield and wood that had been filled in with glue, which I find to be ugly. It also came with some rust / pitting on the main blade backspring, which was actually a first for me from GEC. Maybe chalk it up to the wet and cold weather. Anyway, as always, Ken at Blue Creek Cutlery provided incredible service and rectified the issue quickly and completely; he even refunded my return shipping, which went above and beyond my expectations!
The example I’m keeping is from Jamie at JSR Sports & More, from whom I’ve also received quality service. Despite one of my examples having some unusual issues, the Oil Field Jack I’m keeping is another great testament to Great Eastern Cutlery’s ability to make an heirloom quality pocket knives that are also ready to be put to real use.
The Oil Field Jack with pin and tube.
I really like GEC’s Oil Field Jack on the #86 Jumbo Jack frame. It feels really ergonomic in the hand with the thick, rounded handle. The classic clip point blade shape offers a usable tip for penetrating tasks, but also provides a very practical amount of both straight edge and belly for push and pull cuts. The slender sheepfoot secondary will work great for smaller cutting tasks like opening mail, cutting strings, etc. The Oil Field Jack’s heft makes it feel like a knife that would be a great every day carry user, but that would also be more than capable as a work knife. I also really enjoy the extra touch of the wrench shield. I think all of these Oil Field Jacks are going to look great, but the history and local authenticity of the Oil Sucker Rod Wood made me choose it over the others… So far! If you need a Jumbo Jack in your life, I definitely suggest trying one of GEC’s new #86 Oil Field Jacks!
I sincerely thank you for your time, support, and interest! Don’t forget to tell your friends about KnifeThoughts.com, subscribe via email, and share this article on social media. You can find Knife Thoughts on YouTube where I have hundreds of knife videos, as well as on Instagram and Facebook! You can find all my latest links at LinkTr.ee/KnifeThoughts
This article will provide a short overview of the Great Eastern Cutlery #97 Kifer Cutlery Classics Special Factory Order Northfield Allegheny. I received this knife from Gary Kifer of CutleryClassics.com at the 2019 Rendezvous to have, test, and review. I was happy to get a user #97, as I thought it would make a great larger slipjoint carry.
I had some experience with the #97 Allegheny pattern through the Allegheny Mountain Knife Collectors Association 2019 club knife (you can find my article about that knife at this link). I really liked the knife from an aesthetic perspective, but because it is a club knife I reserved it as a collection piece. So I was excited, and looking forward to putting it through its paces, when Gary gave me this one.
The 2019 Allegheny Mountain Collectors Association club knife
To give you the run down on what the knife is; it’s a 4.75″ closed slipjoint with a saber ground clip point blade and coke bottle frame. You can learn more about the coke bottle pattern in my article on the #06 Pemberton at this link. The blade has a double pull, meaning it has both a long pull and a nail nick. The handles are Amber Jigged Bone. It has Cutlery Classics’ trademark shield. The bolster is engraved “23” out of a run of 99. All of these characteristics brought together make it a great reproduction of a vintage large coke bottle hunter.
GEC made several versions of the Allegheny pattern in this first run, with a bunch of handle materials and two different blade grinds, and I think this is one of the best of them.
Not everyone likes a saber grind or the double pull, but I really like its look and the fact that it hearkens back to vintage coke bottle hunters. Although the saber grind can sometimes slice less smoothly through dense materials than a full flat grind or high hollow grind, it has performed well on all kinds of tasks (from breaking down cardboard to gutting fish). I also like the practicality of having both the nail nick and long pull. The nail nick being at the end of the blade provides more leverage, while the long pull will remain above the frame (allowing the blade to be opened) long after the nail nick drops below the frame from sharpening and filing the kick. Of course, most people won’t sharpen the knife enough times for this to be relevant, but as these are heirloom quality knives it’s good to know it could be passed on and continued to be used for years to come.
I was also pleasantly surprised by how much I like the bone color and jigging pattern. The color is a nice malty wheat color, and I think it will continue to mellow and improve with age. I also really like the jigging, as it’s not as uniform as some of GEC’s jigging patterns and it actually provides some grippiness in the hand. Some people found the pull on these #97s to be lighter than they expected on such a big knife, and mine is light for a GEC at about a 4, but the action is very smooth and snappy with great walk and talk. On a user, I think there’s a balance between a pull being too strong to be convenient to open and too weak to keep the blade fully open in use. This knife falls nicely between.
Basically, it’s another well built and classic looking Great Eastern Cutlery that’s equally suited as a user or a collection piece.
I have used this knife a lot since getting it, and I’m enjoying it more and more. It’s certainly a big knife for a slipjoint, but I’ve found it easy to carry and it’s always nice to have that extra blade length. The #97 Northfield Kifer Cutlery Classics Special Factory Order is another top notch knife from Great Eastern Cutlery. If you’d like to get one for yourself, there are still some available on the Cutlery Classics site at this link. Thanks again to Gary for providing this one!
Here’s a video of the knives I got at the 2019 Rendezvous, starting where I talk about the #97
TL;DR? Here’s my video review. Sorry the sound is kind of muffled, not sure why. I was incorrect on one point; Mike has not done more than one run of #77 Barlows per year.
The #77 Northfield Yankee Barlow is one of GEC’s most perennially popular patterns, for good reason. The #77 Northfield Barlow is done exclusively, through a gentleman’s agreement, as a Special Factory Order for Mike Latham of CollectorKnives.net (although GEC does make other knives on the #77 frame). The first #77 Barlows were made in 2014 and simply called the “Northfield Barlow” but on this run the nomenclature has been updated to the “Yankee Barlow”. No matter the name, the #77 Barlow is a classic and highly sought after knife, and in this article I’ll tell you why!
The #77 Yankee Barlow in African Blackwood next to my #15 TC Barlow in black dyed Smooth Ivory Bone
So, what is this knife anyway? It is a swell end shaped jack barlow, meaning it is wider and rounded at the butt end and squared at the blade end with straight sides. Being a barlow, it has an elongated bolster. Like many traditional barlows, the bolster is stamped with an identifying mark. On this knife it is a script “NF” for NorthField. It has a classic long straight spear point blade with cut swedges after a match strike long pull. As a GEC made knife, it is a slipjoint with pin construction. Mine has African Blackwood handles, but this run also had handles in Amber Sawcut Bone, Red Sawcut Bone (which Mike often includes on his SFOs), Natural Linen Micarta, and just a few in Snakewood. All the knives in this run were the same spear point blade shape as mine, and each handle material is reported to have been produced at about 125 knives (except the Snakewood with only ~15). So although it is not as rare as the early runs, it is still a low production run considering GEC’s current output. That, along with the consistent appeal of barlows, make it a highly sought after knife.
The Buck 119 and Yankee Barlow make a handsome and useful duo
So, how does one purchase a CollectorKnives GEC #77 Yankee Barlow? Well, unfortunately, if you haven’t already purchased one of this run directly from CollectorKnives, you’ll have to find one on the secondary market. Mike uses an early reserve system, which you can find at this link, rather than a “drop” system where the knives are posted for sale on his site all at once at a specified date and time. Over the last year or two Mike has put a lot of work into finding the right system to notify people of when knives go up for reserve. As of now, he has landed on using an app called Telegram, which you can find at this link. On that app you’ll need to follow CollectorKnives and allow notifications, so that you know when he posts knives for reserve. This run of Yankee Barlows actually went up for reserve in July of this year I believe, at a time when I wasn’t buying knives, so I missed the reserves. However, Mike had a few knives available and gave some interested people the option to request either African Blackwood, Linen Micarta, or Snakewood. He said that the Snakewood had little character, so although Snakewood was the rarest of the bunch I put African Blackwood as my top pick, and that’s what I got! I really appreciated the opportunity to get one, despite missing the reserves. However, if you missed the reserves that doesn’t mean you will necessarily have to buy one at the much inflated eBay pricing. I suggest checking out the BladeForums Exchange, where people tend to sell at more reasonable prices than on ebay (and are sometimes open to trades), linked here. Secondarily, you could check FaceBook groups like Great Eastern Cutlery, Great Eastern Cutlery Club, etc. You might still have to pay a bit of a premium, over the dealer price of ~$125, but if you keep your eyes peeled I’m sure you can find one at a good value… the Yankee Barlow is worth it!
Case Trapper, Yankee Barlow, Victorinox Alox Farmer
Ontario Rat 1, Yankee Barlow, Spyderco Native 5
So what makes the Yankee Barlow special? Well, naturally, it is built with the attention to detail and high quality that has skyrocketed GEC to popularity. It has great fit and finish (mine did have a very small patina spot on the pile side bolster), with flush transitions, no gaps, a perfectly centered blade, and great grinds. The action is extremely satisfying with about a 5.5 out of 10 pull, smooth and snappy with great walk and talk and a half stop, even with no blade play. The edge came more thinly ground than most I’ve gotten from GEC, although like many it was thicker at the belly, so I did re-apex it. One thing that seems to bother some is the “CK” CollectorKnives etch. This addition is not something that Mike wanted or requested; Great Eastern Cutlery recently instituted a policy that all SFOs must have an etch identifying the ordering dealer. It’s a perplexing policy that doesn’t seem to help anyone, but I don’t want to say too much one way or the other until I know the reasoning behind the policy. I did call GEC, but Joan Mae (their new sales manager) didn’t know the reason for the policy. I then emailed Bill directly, but I haven’t heard back from him as of this writing. Mike made the good call of having the etch put on the pile side, and used a very minimalist version of his logo. The only downside of it to me is that the knife that makes the “K” in the logo is a modern knife, but that is a tiny very petty nitpick, and the etch will eventually wear off with use and polishing.
The CollectorKnives “CK” etch as required by GEC’s new policy
However, any negatives with the etch are far outshined by the classic beauty and practicality of the knife. It just looks great. The stamped elongated bolsters and dark African Blackwood scales, with some streaks of brown and nice chatoyance underneath, give it the look of a classy refined barlow. The long straight spear point would fit in great next to the vintage knives it is based upon, especially with the matchstrike pull and cut swedges. Beyond its good looks, the Yankee Barlow will also make a great user. Because it’s a little larger than the GEC #15 frame, it’s easier to get a full four finger grip and bear down in use. You also get about 3″ of blade, which is a solid length for an easily carryable pocket knife. The spear point offers a generous amount of straight edge, but enough belly to be useful and a tip that should work for most piercing tasks. Although it’s not a cheap knife, it will make a great user, and it will sure look handsome while in use!
Overall, as you have probably inferred, I am very happy to have gotten this Great Eastern Cutlery made Northfield #77 CollectorKnives Yankee Barlow in African Blackwood. Not only is it a great knife, but I received it upon coming home from a Meniscectomy, so it was quite a good cheer me up! Don’t forget to subscribe here via email for updates when I post new articles, check out and subscribe to my YouTube channel, like my FaceBook page, and follow my instagram feed.
I recently set out to do a full collection overview video. A few people have requested an update to my previous collection videos, and my collection has changed some since I made those first videos. I intended to do the video rapid fire style and condense it into one video with a run time of under an hour. However, I had to stop filming after the fixed blades and modern knives and realized the length would necessitate a two part series. I intended to cover all of my traditional folding knives in the second video, but it just took too long covering the non – GECs. So 3 parts it is! I hope my enthusiasm for knives comes through in full force and you derive some enjoyment from perusing my collection along with me.
Part 1: Fixed Blades and Modern Folding Knives
Part 1: Fixed Blades and Modern Folding Knives
Part 2: Non – GEC Traditional Folding Knives
Part 2: Non – GEC Traditional Folding Knives
Part 3: Great Eastern Cutlery Folding Knives
Part 3: Great Eastern Cutlery Traditional Folding Knives
I appreciate all of you who watch my videos, especially these longer ones. They certainly make for marathon watch sessions. I often watch longer knife videos in parts while I’m cooking and things like that, and I find it’s a great way to take in a full video even on a busy schedule. Although I have a solid core of keepers, there are always lots of ins and outs in my collection so it’s nice to put a snapshot out there of how it stands at this time. Don’t forget to subscribe to my blog here by entering you email, and subscribe to my YouTube channel at this link.
T(oo)L(ong);D(idn’t)R(ead)? Here’s the accompanying video review.
The WarHorse is a modern slipjoint made by LionSteel for CollectorKnives. It’s one that I’ve been looking forward to trying for a while, as CollectorKnives announced it on their Early Reserve page early this year. I had previously tried the CollectorKnives Shuffler, which is the single clip blade version, and liked it other than the handle material. The main reason I decided to get this knife is a bit convoluted; Mike at CollectorKnives had an SFO made by Great Eastern Cutlery in 2014 of a #77 NorthField barlow with clip point and wharncliffe full sized blades. I decided not to get one and wish I had. When I saw Mike was doing one of his modern barlows with the same blade combination I decided to check one out.
Two big full blades, clip and wharncliffe
The WarHorse is an interesting mix of modern and traditional. First and foremost, it is a slipjoint. It is non-locking, and uses a backspring to stay open and stay closed. It also has the hallmarks of a traditional barlow; an elongated bolster on a jack frame. Additionally, it’s a two hand opening knife that uses long pulls. Finally, on the traditional side, the clip point and wharncliffe blades are traditionally shaped. However, that’s where the traditionality ends. Rather than being pinned, the WarHorse is held together with torx screws. It also has a pin that the blade kicks fall upon when closed, eliminating the risk of blade rap. Finally, rather than the blades pivoting directly against the liners like on a traditionally built knife, the WarHorse has phosphor-bronze washers between the blades and liners.
The grip is comfortable enough with either blade open due to the width of the handle
The grip is slightly more ergonomic with the Wharncliffe open
LionSteel did a great job making this knife. It came with nice action; great walk and talk, healthy snap, and a nice 5.5ish pull (just a little stronger than a Victorinox Swiss Army Knife). The blades are nice and tight, with no play or wobble, and they’re both centered dead down the barrel. The fit is different than on a traditionally made knife. Since the knife is held together with screws, the transitions between handle cover and bolster and liners and springs can’t be polished flat. Instead, all of the edges are nicely rounded so that they come together smoothly. The washers help to provide extremely smooth action without any blade play right out of the box, but they also create small gaps between the blades/springs. The blades seem to be ground quite thin, for good slicing capabilities, and evenly. The long pulls (which, unlike on the vast majority of traditional slipjoints, are on both sides of the blade) are a little more rounded than I’d prefer. A traditional long pull has a square / angled inside upper edge which allows the fingernail to catch securely, whereas the WarHorse long pulls are radiused. This radius can sometimes lead to my fingernail slipping off the blade, especially on the pile side wharncliffe blade. Although the WarHorse is not traditionally built, it is certainly built well.
Back springs with no spacer
Stop pin that eliminates blade rap
Brass washers for smooth action
Perfect centering and full blades
Really nice carbon fiber goes well with the titanium bolster
Collector Knives etch
One of the WarHorse’s biggest drawing points is its high end materials. It comes in several different handle materials including olive wood, ram horn, ebony wood, and carbon fiber. I went with the carbon fiber, because I think it really fits with the traditional meets modern aesthetic. Knives have been handled in synthetic materials for around a hundred years, like micarta and celluloid, but carbon fiber is a new age material and I felt that it represented the mix of modern and traditional in the overall WarHorse. It is handsome carbon fiber, with no noticeable voids and a nice even weave. The blades are M390 steel. M390 is a recent super steel that is well liked for its high performance across all categories: edge holding, toughness, corrosion resistance, and sharpenability. Finally, the liners and bolsters are a nice tumbled titanium, for strength and lightness. The materials on the WarHorse are high end, but I do believe (if the WarHorse was made with pin construction) the materials do not exclude it from being a traditional knife. I really appreciate the high end materials that make up the WarHorse, especially considering super steels are so rare on production slipjoints.
Ready to put in lots of work
Overall, I think the WarHorse is a knife that the slipjoint market needs. It brings to the market a knife with high end materials and newer build technology while retaining a respect for and homage to the traditional knives from which it draws inspiration. I don’t think it has the same spirit and soul as a traditionally made barlow, if I’m being honest, but it offers more muscle and utility to even things out. The WarHorse builds a bridge between the modern and traditional knife segments, and hopefully will continue the trend of production knife companies making knives with traditional designs.
Compared to some recent GEC patterns, the #29 and #97
Thickness compared to the single blade #97 and 3 blade/spring #29
Compared to the Spyderco Domino and Spyderco Native
The WarHorse is a CollectorKnives exclusive. You can get one for yourself from CollectorKnives.net (they are in stock as of 8/20/19). You can find all of the different versions for between $162 and $172 at this link. Tell Mike you heard about the WarHorse on Knife Thoughts!
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This past weekend Great Eastern Cutlery held their yearly Rendezvous. It’s a combination of several things: a gathering of GEC enthusiasts, an open house, and (since 2018) a small knife show. I’ve gone the last 6 years, and always look forward to the trip. If you want to know more about the Rendezvous in general, checkout my article here:
2019 is the second year GEC has offered tents and tables for collectors and vendors to set up displays, and this year I decided to set up as Knife Thoughts. I wasn’t sure that it was a good idea to set up a display, being that my collection and knowledge pale in comparison to that of many of the collectors who attend the Rendezvous, but I decided to go for it. I thought I could offer something worthwhile mainly by displaying the last 6 years (2019 inclusive) of Rendezvous Specials. In all the years I’d gone, I never saw any of the Rendezvous Specials displayed and I felt people would enjoy seeing them. I also wanted to display my Allegheny Mountain Knife Collectors Association club knives.
2019 Rendezvous Special
2019 Special Factory Assembly
If you want to know more about the parts knives, subscribe for updates via email, as I plan to write a short article explaining them.
After waiting in line all night and getting my 2019 Rendezvous Special and a Special Factory Assembly, I set up my first public knife display! I used a very nice stepped display given to me by my wife to display the Rendezvous Specials, a magnetic kitchen knife holder to display some fixed blades, and laid out many of my traditional pocket knives in a semblance of order.
Knife Thoughts display the 2019 GEC Rendezvous (and a little shirt flair)
It turned out to be a great experience! I had many people stop at my table to discuss the knives and GEC in general. I also got to see some old friends from previous Rendezvous, and meet many new friends. I got to meet and talk with Mike of Collector Knives, Austin of C. Risner / Traditional Pocket Knives, and Jamie of JSR Sports & More. I also got to see and talk with Ken of Blue Creek Cutlery / Maher & Grosh, as well as Gary of Kifer Cutlery Classics, whom I’ve seen at previous Rendezvous. It’s always a treat to get to discuss knives with others who share your enthusiasm for all things cutlery!
The line to get in at 7am just before they opened the doors
The Special Factory Assembly aka parts knives for 2019
I also learned a few things in the process. First, I should bring knives I plan to sell and have their prices pre-determined. Pretty much everyone who came to my table asked if I was selling. Even the knives I was willing to sell, I didn’t pre-plan pricing which made it awkward trying to give an asking price. Second, it would be easier to have a table and still be able to look around at the other displays with a partner to help watch. Thirdly, I should have a Knife Thoughts shirt and/or banner to help distinguish and identify my display (rather than just stickers). So not only was this Rendezvous a fun time, it was a learning experience to help improve Knife Thoughts displays at future shows.
A Special Factory Assembly #93 Lambfoot for Charlie Campagna
Every year Great Eastern Cutlery holds their Rendezvous at their factory in historic Titusville Pennsylvania. It is a 3 day gathering for fans of GEC to come together and show and tell their traditional knives (it’s not restricted to GEC, other brands’/companies’ knives are very welcome). There’s also a picnic on Saturday where GEC collectors and employees get together to eat and enjoy the company of fellow knife enthusiasts. You can find more information by following this link to Great Eastern Cutlery’s page for this year’s (2019) Rendezvous!
A fine example of a GEC, a #53 Cuban Stockman, in its native territory of Western Pennsylvania
You get to see behind the curtain!
One of the best things about the Rendezvous is getting to see how all the knives are made. Throughout the weekend tours are given by none other than GEC President Bill Howard and his son Will. First off, the fact that the owner himself gives tours is a great look into the culture and workings of GEC. Bill Howard is a man who knows and cares about his products, machinery, and his employees. Second, it’s an incredible opportunity to see every step of the process (except bone dyeing and jigging, which is proprietary and not shown to the public) that goes into making a GEC knife. Let me tell you, it’s impressive to see just how much hand work goes into these knives. Third, it’s a chance to ask any of the questions you have about their production process. I know I’ve had many questions, and they seem happy to answer them. If you want a sneak preview of the tour you can check out a video tour below. It’s a great resource, but it’s not quite as good as in person!
Part 1, you’ll have to go to YouTube for parts 2 and 3
The people are great!
Meeting and conversing with the GEC employees and other Rendezvous attendees is definitely the highlight of the experience. Being that GEC is the most highly respected and sought after production knife maker in America today, the Rendezvous brings together a large and varied group of knife enthusiasts. Over the years that I’ve attended it has grown significantly. There is still the core group of hardcore knife collectors. These are the people who are basically walking encyclopedias of traditional knives, and it’s a treasure to get to discuss the history and nuances of all their knives. There are also now tables set up for people to display their collections and / or knives for sale. For example, last year the owners of the Maher & Grosh set up an extremely interesting display of vintage knives of that brand and also sold some GEC made M&G brand knives. As mentioned earlier, it’s also enlightening to get to know the people who make up GEC. Of course the knives are what makes us so enamored with GEC, but it’s certainly nice to get to meet the people behind the knives and see that they are (in many cases) as excited about what they’re doing as we are.
The #78 American Jack in Glitter Gold in the center is a 1 of 8 parts knife from the 2018 Rendezvous
Titusville has more to do than you think!
I often see people wondering what, if anything, else there is to do in Titusville. After all, it’s not your usual vacation location. I think the tendency is for people to assume there’s nothing to do, but that’s very much not the case! There is the annual Titusville Oil Festival. It is a celebration of the anniversary of the first oil well in the U.S. which was drilled in Titusville, and you can find more information at this link. There is also a craft brewery called the Blue Canoe that has classic food and good drinks, made right there on site. Speaking of the history of oil in Titusville, the site of the first oil well has a very interesting museum. It is called the Drake Well, and you can find more information about the museum at this link. I was always told by my dad, an avid fan of local history and himself in the natural resources industry, that the Drake Well was the first well drilled for oil in the world (and certainly some history books confirm this), but I’ve also read that oil wells were drilled earlier in China. Either way, it’s worth a visit if you’re interested in history. Another place well worth visiting, right next to the Drake Well, is Oil Creek State Park. Oil Creek State Park is a nice little park with some interpretive trails, hiking/biking, and some nice scenery. You can find a list of some good things to do at the park at this link. If you wanted to make a serious knife and history trip out of it, you could go to nearby Tidioute (where natural gas was found, and helped create the history of cutlery in the region) or relatively close by Bradford, where you can visit Case’s factory. Finally, there’s going to be a knife show the same weekend held as a replacement for the Queen show (that was always held on the same weekend as the Rendezvous). I know about this show because it’s being organized by a member of the Allegheny Mountain Knife Collectors Association, but I can’t find a website for it so I can’t provide much more information, though I’m sure once you’re at the Rendezvous it’ll be easy to find more info.
Retouched photograph of the Drake Well, from WikiPedia Media Commons
There’s some SUPER cool knives to be had!
Last, but not least, GEC makes some really unique and interesting knives for the Rendezvous. To start, they make a very limited run of “Rendezvous Special” knives. These are the knives made to commemorate that year’s Rendezvous. They make a fixed number, 50 the last couple years, and sell a fixed portion of that each day. You have to get there early to get one, but Friday and especially Saturday seem to be less busy than Thursday. They also make parts knives, knives put together with parts left over from previous runs. These parts knives often have unique handle materials that differ from those used in the normal run. They also often are made in even lower numbers than the Rendezvous Specials, so they’re quite desirable to collectors. Last year GEC only allowed each person to purchase 1 parts knife, and I have heard that they plans to restrict each household to 1 Rendezvous Special and 1 parts knife this year, but that hasn’t been confirmed. Either way, they do a good job of keeping it fun and fair. I’ve been happy to collect the Rendezvous Specials from all the years I’ve attended.
The Rendezvous Specials from the last 5 years
So, will you be there?
I have attended the last 5 Rendezvous, since 2014, and I’m more excited for this one than any other! I hope to see lots of new faces and get to know lots of new people. I have created a facebook group for those planning to attend. You can find the group and request to join by following this link, just make sure to answer the questions. Hope to see you in Titusville!
This year’s Rendezvous is August 8th, 9th, and 10th. It’s at the Great Eastern Cutlery factory at:
