What is the Great Eastern Cutlery #86 Oil Field Jack, and Why is it a Slipjoint Pocket Knife Worthy of Your EDC?

T(oo)L(ong);D(idn’t)R(ead)? Here’s my YouTube review of the #86 Oil Field Jack!

Recently Great Eastern Cutlery began producing its first run of the new #86 pattern. The #86 is a jumbo jack pattern, which basically means it’s an enlarged version of the classic swell end jack shape like that found on a #15 or #77. GEC has named this pattern the Oil Field Jack, and it’s a fitting name. This hefty pocket knife would be right at home in the oil fields.

The jumbo jack is a pattern that has been around for a long time, but isn’t as well known as others. It’s an enlarged swell end jack, usually over 3.75″ closed. The GEC version is 3.875″ closed. They tend to have thicker handles. This is in part due to the more rounded covers, and in part to the fact that they are most often two bladed. The blades can even be ground from thicker stock than a typical jack. For example, according to Charlie Campagna, the #86 tangs are about .1″ wide, whereas a GEC #15’s tangs are about .09″. Interestingly, vintage jumbo jacks tend to have spear point main blades with pen secondaries, but the #86 has a clip point main and slender sheepfoot secondary. All of it comes together in the #86 to make an unusually hefty jack knife that is inspired by, but not a direct copy, of vintage jumbo jacks.

The #86 compared to a #78, #77, and #15 (from right to left)

Great Eastern Cutlery is making the #86 in several iterations. They’re making them under both their Tidioute and Northfield in-house brands, as well as some Special Factory Orders. The Tidioute versions all feature a quite unique, and appropriate to the name, wrench shield. They are being made with Oil Sucker Rod Wood, Natural Canvas Micarta, and Oily Creek Bone. The Northfield version will come in Autumn Gold Jigged Bone, Tortoise Shell Acrylic, and Sambar Stag. There will also be an SFO for Gunstock Jack’s Knives in Bloodwood with Bowtie shield, and for JSR Sports & More in Burnt Chocolate Peach Seed Jigged Bone with Propeller shield. Finally, there will be two more unique (and difficult to get) versions of the #86. First, the traditional knives subforum of BladeForums has ordered their yearly club knife on the #86 frame with a single saber ground sheepfoot blade, African Blackwood handles, and Bomb shield. At this point the only way to purchase that version is through the secondary market, as all have been pre-ordered months in advance. Second, Charlie Campagna is having a Waynorth Cutlery Black Jack produced. It will have a clip point main with more emphasized swedges and a pen secondary, Gabon Ebony Wood handles, and a Banner shield. You still might be able to get one of these by emailing the dealers through whom Charlie sells his SFOs, a list of which you can find at this link. The Waynorth Black Jack will probably be the most sought after of the #86s. With so many exciting versions of the #86 pattern coming soon, everybody should be able to find one they want!

The “jumbo-ness” really shows in the thickness. It’s thicker, due to the rounded covers, than a Case full sized trapper.

The first released Oil Field Jacks seem to be selling quickly, but you should be able to get one in your preferred handle material. This will be a relatively large run in regard to production numbers. However, GEC has been shipping knives to dealers in batches. This practice is both good and bad; good because it allows for more chances to get the knife you want, bad because it causes more scramble and makes the knives seem more scarce. As of this writing, all of the Tidioute versions have been released but if you act quick you should still be able to get at least an Oily Creek Bone model. There are some Natural Canvas Micarta versions still arriving at dealers, and maybe a couple Oil Sucker Rod Wood stragglers. None of the Northfield versions have been released yet, and they can be purchased from any of the GEC dealers (which you can find a list of at this link), so there’s definitely still time to get one. I think both the Sambar Stag and Tortoise Shell Acrylic will look awesome on this jumbo jack pattern; the stag because the big wide handles will give plenty of room to show off the unique character of each piece, and the tortoise because I just like the somewhat bold and garish look of that acrylic style. I’m sure the Autumn Gold Jigged Bone will be nice also, I just don’t get as excited about that particular dye color and jigging as some. I am probably most excited about the Waynorth Cutlery Black Jack (aside from / along with the one I already have). Not only will it be the most similar to vintage jumbo jacks with its long pulls, swedges, and Gabon Ebony Wood handles, it will also have that particular styling that Charlie brings to his SFOs that have made them so popular amongst collectors.

Compared to some well known knives, the Ontario Rat 1 and Case Trapper.

I got the Oil Sucker Rod Wood #86 Oil Field Jack. This is a knife I knew I had to check out as soon as it was announced. I already really have and enjoy a few other knives with the Oil Sucker Rod Wood covers. The Oil Sucker Rod Wood is reclaimed from the area around Great Eastern Cutlery. An oil sucker rod is part of the oil drilling process and the piece of equipment that pulls the oil up out of the well (you can find a video on the process at this link). Steel rods are used now and have been for a while, but in the early days of the oil industry wooden rods were implemented. One interesting quirk of this handle material is that, because it is reclaimed wood and there’s no record of what wood species was used for the wells from which the wood was reclaimed, one can’t be sure what wood these handles actually are made of. Some, including my dad who’s been in the industry for over 40 years, say that it’s likely Ash. Either way, it has a green hue from the crude oil that soaked into it during its previous life as a working sucker rod. The crude oil in the Titusville region is a particularly bold green color. I remember my dad having a little bottle of crude oil from the Drake Well, the first commercial oil well in the world (by most accounts) that is right outside of Titusville and only a couple miles from GEC, and it was just the same color as the handles on my Oil Field Jack. Finally, the wrench shield hearkens to the hard manual work put in on those early oil wells (not to say that hard manual work isn’t also put in on the modern wells!). All of it seems to reach back and connect the Oil Field Jack to local Pennsylvania history, making it much more than just an extremely well made knife.

Three knives in Oil Sucker Rod Wood. #18 Beagle, #15 2014 Rendezvous Special TC One Arm Barlow, and the #86 Oil Field Jack

Speaking of its build quality, my Oil Field Jack in Oil Sucker Rod Wood is impeccably made. It has smooth transitions between the covers and bolsters. The shield is fitted tightly, which is a feat on such a complicated shape as a double ended wrench. The blades are tight with no blade play. The action is great with nice snap and walk and talk, and about a 6 out of 10 pull (a little stronger than a swiss army knife) on both blades. Both blades are also well centered. In a huge relief to me, as these are the two most irksome and common issues to be found on GEC knives, neither blades came with proud tips or blade rap.

The Oil Field Jack is jumbo compared to other swell end jack knives, but it’s much smaller than some of GEC’s other large patterns. From left to right: #45 Lumberjack, #46 Whaler, #86 Oil Field Jack, #97 Allegheny, #98 Texas Camp Knife

I actually accidentally ordered two of these, and I have to admit that one was sent back. Sometimes you read or hear of someone “accidentally” ordering a knife, and you think “how can you possibly order a knife on accident?”. Well, I emailed two of my favorite dealers about this knife and, I thought, only heard back from one. So when I got a PayPal invoice for this knife, I just paid it. Later, when I got another, I realized that both dealers had emailed back confirming my reservation of this knife and one of their emails had gone to my spam folder! Anyway, the second one I received came with what I considered to be a poorly fit shield. There were noticeable gaps between the shield and wood that had been filled in with glue, which I find to be ugly. It also came with some rust / pitting on the main blade backspring, which was actually a first for me from GEC. Maybe chalk it up to the wet and cold weather. Anyway, as always, Ken at Blue Creek Cutlery provided incredible service and rectified the issue quickly and completely; he even refunded my return shipping, which went above and beyond my expectations!

The example I’m keeping is from Jamie at JSR Sports & More, from whom I’ve also received quality service. Despite one of my examples having some unusual issues, the Oil Field Jack I’m keeping is another great testament to Great Eastern Cutlery’s ability to make an heirloom quality pocket knives that are also ready to be put to real use.

The Oil Field Jack with pin and tube.

I really like GEC’s Oil Field Jack on the #86 Jumbo Jack frame. It feels really ergonomic in the hand with the thick, rounded handle. The classic clip point blade shape offers a usable tip for penetrating tasks, but also provides a very practical amount of both straight edge and belly for push and pull cuts. The slender sheepfoot secondary will work great for smaller cutting tasks like opening mail, cutting strings, etc. The Oil Field Jack’s heft makes it feel like a knife that would be a great every day carry user, but that would also be more than capable as a work knife. I also really enjoy the extra touch of the wrench shield. I think all of these Oil Field Jacks are going to look great, but the history and local authenticity of the Oil Sucker Rod Wood made me choose it over the others… So far! If you need a Jumbo Jack in your life, I definitely suggest trying one of GEC’s new #86 Oil Field Jacks!

I sincerely thank you for your time, support, and interest! Don’t forget to tell your friends about KnifeThoughts.com, subscribe via email, and share this article on social media. You can find Knife Thoughts on YouTube where I have hundreds of knife videos, as well as on Instagram and Facebook! You can find all my latest links at LinkTr.ee/KnifeThoughts

The Great Eastern Cutlery #89 Melon Tester Whittler is SPOOKTACULAR in Pumpkin Patch Acrylic

The Great Eastern Cutlery #89 is one of the few patterns of theirs that I haven’t tried in my time as a GEC user and collector. One reason for this is that this pattern hasn’t been produced in years, even since before I became aware of GEC, and they weren’t made in huge numbers relative to today’s run sizes. So I decided to check out this one in the very season fitting Pumpkin Patch Acrylic.

Similar in length to the Case Sodbuster JR and GEC #15 TC Barlow

The #89 is a long slender 4″ sleeveboard pattern. My specific example is splitback whittler. That means there are two backsprings, one for each secondary blade, that has a wedge between it so that it comes together as one backspring for the main blade. These long slender sleeveboard patterns are often called Melon Testers, especially when it has one blade, because their long slender blades are perfect for slicing out a taste of fruit. GEC calls this knife the “3 Blade Melon Tester Whittler”, so they basically threw all the descriptors they could into the name except “splitback”.

A great example of complex blade fitting

My version has Pumpkin Patch Acrylic handles. They’re a mix of pearlescent orange with swirls of black, but mine doesn’t have much black at all. Sometimes people see synthetic handle materials as uniform and without the character of natural handle materials, but GEC’s acrylics are always unique and you never know what you’ll get (unless the dealer/seller has individual pictures of each knife). I personally like the handles, although I do wish they had more black swirls, and they’re a perfect fit for this Halloween and harvest season.

The wedge that separates the springs, making it a “splitback”.

This knife is well made, and honestly I was pleasantly surprised by how much I like it. I expected the tip of the main blade to be noticeably proud, due to the slender handle, but it is not proud and I can’t catch a finger on it. There doesn’t seem to be any blade rub, and the main blade sits pretty well centered between the two secondaries. This fitting of the blades is certainly a commendable feat, and a great example of how well GEC can make even these complicated patterns. I also expected the main blade to have blade rap, where the edge hits the backspring, due to the slenderness of the handle (especially if it didn’t have a proud tip). However, it shows no blade rap at all even when allowed to close on its own. Part of the reason for this could be that the pulls on all three blades are relatively light, maybe a 3 or so. However, I like the pulls at this strength as it makes it easy to open and eliminates blade rap while still providing nice walk and talk and snap both open and closed. I bought this knife thinking I’d like getting the chance to look it over but not have any desire to keep it, but with how nicely it is built I wish I could put it in my pocket as a user!

Great Eastern Cutlery made several versions of the #89 pattern including the “3 Blade Melon Tester Whittler” (my version), the “Riverboat Gambler” (cool name, in my opinion) a pen knife version, the “Executive Whittler” with a wharncliffe main, and even some in stainless. However, they can be difficult to find. Mine was made in 2009, and the last time they were made was 2012, so it’s been almost 8 years since they made the #89 pattern. Hopefully they make some more soon, and if so I suggest getting yourself one!

The Kifer Cutlery Classics GEC #97 Allegheny Proves Traditional Slipjoints are up to ANY cutting task!

This article will provide a short overview of the Great Eastern Cutlery #97 Kifer Cutlery Classics Special Factory Order Northfield Allegheny. I received this knife from Gary Kifer of CutleryClassics.com at the 2019 Rendezvous to have, test, and review. I was happy to get a user #97, as I thought it would make a great larger slipjoint carry.

I had some experience with the #97 Allegheny pattern through the Allegheny Mountain Knife Collectors Association 2019 club knife (you can find my article about that knife at this link). I really liked the knife from an aesthetic perspective, but because it is a club knife I reserved it as a collection piece. So I was excited, and looking forward to putting it through its paces, when Gary gave me this one.

The 2019 Allegheny Mountain Collectors Association club knife

To give you the run down on what the knife is; it’s a 4.75″ closed slipjoint with a saber ground clip point blade and coke bottle frame. You can learn more about the coke bottle pattern in my article on the #06 Pemberton at this link. The blade has a double pull, meaning it has both a long pull and a nail nick. The handles are Amber Jigged Bone. It has Cutlery Classics’ trademark shield. The bolster is engraved “23” out of a run of 99. All of these characteristics brought together make it a great reproduction of a vintage large coke bottle hunter.

GEC #29 Stockyard Whittler, LionSteel CollectorKnives WarHorse, GEC #97 Allegheny

GEC made several versions of the Allegheny pattern in this first run, with a bunch of handle materials and two different blade grinds, and I think this is one of the best of them.

Not everyone likes a saber grind or the double pull, but I really like its look and the fact that it hearkens back to vintage coke bottle hunters. Although the saber grind can sometimes slice less smoothly through dense materials than a full flat grind or high hollow grind, it has performed well on all kinds of tasks (from breaking down cardboard to gutting fish). I also like the practicality of having both the nail nick and long pull. The nail nick being at the end of the blade provides more leverage, while the long pull will remain above the frame (allowing the blade to be opened) long after the nail nick drops below the frame from sharpening and filing the kick. Of course, most people won’t sharpen the knife enough times for this to be relevant, but as these are heirloom quality knives it’s good to know it could be passed on and continued to be used for years to come.

I was also pleasantly surprised by how much I like the bone color and jigging pattern. The color is a nice malty wheat color, and I think it will continue to mellow and improve with age. I also really like the jigging, as it’s not as uniform as some of GEC’s jigging patterns and it actually provides some grippiness in the hand. Some people found the pull on these #97s to be lighter than they expected on such a big knife, and mine is light for a GEC at about a 4, but the action is very smooth and snappy with great walk and talk. On a user, I think there’s a balance between a pull being too strong to be convenient to open and too weak to keep the blade fully open in use. This knife falls nicely between.

Basically, it’s another well built and classic looking Great Eastern Cutlery that’s equally suited as a user or a collection piece.

I have used this knife a lot since getting it, and I’m enjoying it more and more. It’s certainly a big knife for a slipjoint, but I’ve found it easy to carry and it’s always nice to have that extra blade length. The #97 Northfield Kifer Cutlery Classics Special Factory Order is another top notch knife from Great Eastern Cutlery. If you’d like to get one for yourself, there are still some available on the Cutlery Classics site at this link. Thanks again to Gary for providing this one!

Here’s a video of the knives I got at the 2019 Rendezvous, starting where I talk about the #97

What Makes the CollectorKnives WarHorse by LionSteel a Successful Mix of Modern and Traditional?

T(oo)L(ong);D(idn’t)R(ead)? Here’s the accompanying video review.

The WarHorse is a modern slipjoint made by LionSteel for CollectorKnives. It’s one that I’ve been looking forward to trying for a while, as CollectorKnives announced it on their Early Reserve page early this year. I had previously tried the CollectorKnives Shuffler, which is the single clip blade version, and liked it other than the handle material. The main reason I decided to get this knife is a bit convoluted; Mike at CollectorKnives had an SFO made by Great Eastern Cutlery in 2014 of a #77 NorthField barlow with clip point and wharncliffe full sized blades. I decided not to get one and wish I had. When I saw Mike was doing one of his modern barlows with the same blade combination I decided to check one out.

Two big full blades, clip and wharncliffe

The WarHorse is an interesting mix of modern and traditional. First and foremost, it is a slipjoint. It is non-locking, and uses a backspring to stay open and stay closed. It also has the hallmarks of a traditional barlow; an elongated bolster on a jack frame. Additionally, it’s a two hand opening knife that uses long pulls. Finally, on the traditional side, the clip point and wharncliffe blades are traditionally shaped. However, that’s where the traditionality ends. Rather than being pinned, the WarHorse is held together with torx screws. It also has a pin that the blade kicks fall upon when closed, eliminating the risk of blade rap. Finally, rather than the blades pivoting directly against the liners like on a traditionally built knife, the WarHorse has phosphor-bronze washers between the blades and liners.

LionSteel did a great job making this knife. It came with nice action; great walk and talk, healthy snap, and a nice 5.5ish pull (just a little stronger than a Victorinox Swiss Army Knife). The blades are nice and tight, with no play or wobble, and they’re both centered dead down the barrel. The fit is different than on a traditionally made knife. Since the knife is held together with screws, the transitions between handle cover and bolster and liners and springs can’t be polished flat. Instead, all of the edges are nicely rounded so that they come together smoothly. The washers help to provide extremely smooth action without any blade play right out of the box, but they also create small gaps between the blades/springs. The blades seem to be ground quite thin, for good slicing capabilities, and evenly. The long pulls (which, unlike on the vast majority of traditional slipjoints, are on both sides of the blade) are a little more rounded than I’d prefer. A traditional long pull has a square / angled inside upper edge which allows the fingernail to catch securely, whereas the WarHorse long pulls are radiused. This radius can sometimes lead to my fingernail slipping off the blade, especially on the pile side wharncliffe blade. Although the WarHorse is not traditionally built, it is certainly built well.

One of the WarHorse’s biggest drawing points is its high end materials. It comes in several different handle materials including olive wood, ram horn, ebony wood, and carbon fiber. I went with the carbon fiber, because I think it really fits with the traditional meets modern aesthetic. Knives have been handled in synthetic materials for around a hundred years, like micarta and celluloid, but carbon fiber is a new age material and I felt that it represented the mix of modern and traditional in the overall WarHorse. It is handsome carbon fiber, with no noticeable voids and a nice even weave. The blades are M390 steel. M390 is a recent super steel that is well liked for its high performance across all categories: edge holding, toughness, corrosion resistance, and sharpenability. Finally, the liners and bolsters are a nice tumbled titanium, for strength and lightness. The materials on the WarHorse are high end, but I do believe (if the WarHorse was made with pin construction) the materials do not exclude it from being a traditional knife. I really appreciate the high end materials that make up the WarHorse, especially considering super steels are so rare on production slipjoints.

Ready to put in lots of work

Overall, I think the WarHorse is a knife that the slipjoint market needs. It brings to the market a knife with high end materials and newer build technology while retaining a respect for and homage to the traditional knives from which it draws inspiration. I don’t think it has the same spirit and soul as a traditionally made barlow, if I’m being honest, but it offers more muscle and utility to even things out. The WarHorse builds a bridge between the modern and traditional knife segments, and hopefully will continue the trend of production knife companies making knives with traditional designs.

The WarHorse is a CollectorKnives exclusive. You can get one for yourself from CollectorKnives.net (they are in stock as of 8/20/19). You can find all of the different versions for between $162 and $172 at this link. Tell Mike you heard about the WarHorse on Knife Thoughts!

I sincerely thank you for your time, support, and interest! Don’t forget to tell your friends about KnifeThoughts.com, subscribe via email, and share this article on social media. You can find Knife Thoughts on YouTube where I have hundreds of knife videos, as well as on Instagram and Facebook! You can find all my latest links at LinkTr.ee/KnifeThoughts

Knife Thoughts at the 2019 Great Eastern Cutlery Rendezvous

This past weekend Great Eastern Cutlery held their yearly Rendezvous. It’s a combination of several things: a gathering of GEC enthusiasts, an open house, and (since 2018) a small knife show. I’ve gone the last 6 years, and always look forward to the trip. If you want to know more about the Rendezvous in general, checkout my article here:

2019 is the second year GEC has offered tents and tables for collectors and vendors to set up displays, and this year I decided to set up as Knife Thoughts. I wasn’t sure that it was a good idea to set up a display, being that my collection and knowledge pale in comparison to that of many of the collectors who attend the Rendezvous, but I decided to go for it. I thought I could offer something worthwhile mainly by displaying the last 6 years (2019 inclusive) of Rendezvous Specials. In all the years I’d gone, I never saw any of the Rendezvous Specials displayed and I felt people would enjoy seeing them. I also wanted to display my Allegheny Mountain Knife Collectors Association club knives.

If you want to know more about the parts knives, subscribe for updates via email, as I plan to write a short article explaining them.

After waiting in line all night and getting my 2019 Rendezvous Special and a Special Factory Assembly, I set up my first public knife display! I used a very nice stepped display given to me by my wife to display the Rendezvous Specials, a magnetic kitchen knife holder to display some fixed blades, and laid out many of my traditional pocket knives in a semblance of order.

Knife Thoughts display the 2019 GEC Rendezvous (and a little shirt flair)

It turned out to be a great experience! I had many people stop at my table to discuss the knives and GEC in general. I also got to see some old friends from previous Rendezvous, and meet many new friends. I got to meet and talk with Mike of Collector Knives, Austin of C. Risner / Traditional Pocket Knives, and Jamie of JSR Sports & More. I also got to see and talk with Ken of Blue Creek Cutlery / Maher & Grosh, as well as Gary of Kifer Cutlery Classics, whom I’ve seen at previous Rendezvous. It’s always a treat to get to discuss knives with others who share your enthusiasm for all things cutlery!

I also learned a few things in the process. First, I should bring knives I plan to sell and have their prices pre-determined. Pretty much everyone who came to my table asked if I was selling. Even the knives I was willing to sell, I didn’t pre-plan pricing which made it awkward trying to give an asking price. Second, it would be easier to have a table and still be able to look around at the other displays with a partner to help watch. Thirdly, I should have a Knife Thoughts shirt and/or banner to help distinguish and identify my display (rather than just stickers). So not only was this Rendezvous a fun time, it was a learning experience to help improve Knife Thoughts displays at future shows.

A Special Factory Assembly #93 Lambfoot for Charlie Campagna