Great Eastern Cutlery is wont to run by their own rules. Quirkiness is one of their most characteristic attributes, and both the boon and bane of collectors depending on the situation. One example of their unusual approach to knifemaking can be seen in their “parts” aka “special factory assembly” knives. This article will explain what these knives are, how they are purchased, and how they fit into the collector market.
My haul from the 2019 GEC Rendezvous
These knives are built using leftover parts from previous runs of knives. Sometimes they are made from recent runs within the same year, and sometimes they’re made with parts from frames that haven’t been used for several years (like this year’s #65s). They often feature different handle materials, shields, and sometimes even different blade or handle shapes than previous runs (from which they drew their parts). For example, at this year’s Rendezvous (2019) GEC had lots of knives built with parts left over from previous runs: #65 Ben Hogans, #85s in different configurations than the normal runs, #97s with the Tango guitar shield (which they haven’t used in a while), and even some stainless #74 Mustangs (I was lucky enough to snag one!). Due to being made in previously unused configurations with old stock parts, you never know what these knives are going to show up as!
The Special Factory Assembly aka parts knives for 2019
GEC first referred to these knives in question as “parts knives” but has transitioned into calling them the more official sounding “special factory assembly” knives. This change in nomenclature has happened over the past two or so years, in conjunction with a change in how they are sold. These knives are only available for purchase at the factory store. They are made for the annual Rendezvous (if you’d like to learn more about why the Rendezvous is worth attending, read my article linked here). Originally, up until 2017 or 2018, there was no restriction on the number of these knives that one could purchase at a time. However, recently GEC has restricted each person to one “SFA” knife per transaction / time through the line at the Rendezvous / day at the Rendezvous. This rule makes it more difficult for a large number of these knives to be concentrated in one person’s collection, therefore making them even rarer and more sought after on the secondary market.
Not technically a Special Factory Assembly, but definitely a parts knife. #93 Lambfoot for Charlie Campagna, 1 of 27
These “special factory assembly” knives are sought after for several reasons. First, they tend to be made in low numbers. GEC has moved generally toward larger runs, so the fact that these parts knives are still made in runs of 4-40 knives makes them quite rare relative to other recent runs. On top of this, many of this year’s SFA knives were “S” models (I’ll be doing an article on what this means also, so make sure you subscribe via email for updates) which are less desirable due to their lack of warranty and supposed lower aesthetic quality. Beyond their rarity, the sheer fact that the SFA knives can only be purchased at the factory store makes them more difficult to purchase, and therefore more valuable. The “special factory assembly” knives tend to be highly sought after, especially just after the Rendezvous.
2019 Special Factory Assembly GEC #74 Mustang
I personally enjoy the “parts” aka “special factory assembly” knives because they’re just plain unique and interesting. I also enjoy that they’re a hallmark of and a keepsake from each Rendezvous. If you ever get a chance to pick one up, I highly suggest you do!
Every year Great Eastern Cutlery holds their Rendezvous at their factory in historic Titusville Pennsylvania. It is a 3 day gathering for fans of GEC to come together and show and tell their traditional knives (it’s not restricted to GEC, other brands’/companies’ knives are very welcome). There’s also a picnic on Saturday where GEC collectors and employees get together to eat and enjoy the company of fellow knife enthusiasts. You can find more information by following this link to Great Eastern Cutlery’s page for this year’s (2019) Rendezvous!
A fine example of a GEC, a #53 Cuban Stockman, in its native territory of Western Pennsylvania
You get to see behind the curtain!
One of the best things about the Rendezvous is getting to see how all the knives are made. Throughout the weekend tours are given by none other than GEC President Bill Howard and his son Will. First off, the fact that the owner himself gives tours is a great look into the culture and workings of GEC. Bill Howard is a man who knows and cares about his products, machinery, and his employees. Second, it’s an incredible opportunity to see every step of the process (except bone dyeing and jigging, which is proprietary and not shown to the public) that goes into making a GEC knife. Let me tell you, it’s impressive to see just how much hand work goes into these knives. Third, it’s a chance to ask any of the questions you have about their production process. I know I’ve had many questions, and they seem happy to answer them. If you want a sneak preview of the tour you can check out a video tour below. It’s a great resource, but it’s not quite as good as in person!
Part 1, you’ll have to go to YouTube for parts 2 and 3
The people are great!
Meeting and conversing with the GEC employees and other Rendezvous attendees is definitely the highlight of the experience. Being that GEC is the most highly respected and sought after production knife maker in America today, the Rendezvous brings together a large and varied group of knife enthusiasts. Over the years that I’ve attended it has grown significantly. There is still the core group of hardcore knife collectors. These are the people who are basically walking encyclopedias of traditional knives, and it’s a treasure to get to discuss the history and nuances of all their knives. There are also now tables set up for people to display their collections and / or knives for sale. For example, last year the owners of the Maher & Grosh set up an extremely interesting display of vintage knives of that brand and also sold some GEC made M&G brand knives. As mentioned earlier, it’s also enlightening to get to know the people who make up GEC. Of course the knives are what makes us so enamored with GEC, but it’s certainly nice to get to meet the people behind the knives and see that they are (in many cases) as excited about what they’re doing as we are.
The #78 American Jack in Glitter Gold in the center is a 1 of 8 parts knife from the 2018 Rendezvous
Titusville has more to do than you think!
I often see people wondering what, if anything, else there is to do in Titusville. After all, it’s not your usual vacation location. I think the tendency is for people to assume there’s nothing to do, but that’s very much not the case! There is the annual Titusville Oil Festival. It is a celebration of the anniversary of the first oil well in the U.S. which was drilled in Titusville, and you can find more information at this link. There is also a craft brewery called the Blue Canoe that has classic food and good drinks, made right there on site. Speaking of the history of oil in Titusville, the site of the first oil well has a very interesting museum. It is called the Drake Well, and you can find more information about the museum at this link. I was always told by my dad, an avid fan of local history and himself in the natural resources industry, that the Drake Well was the first well drilled for oil in the world (and certainly some history books confirm this), but I’ve also read that oil wells were drilled earlier in China. Either way, it’s worth a visit if you’re interested in history. Another place well worth visiting, right next to the Drake Well, is Oil Creek State Park. Oil Creek State Park is a nice little park with some interpretive trails, hiking/biking, and some nice scenery. You can find a list of some good things to do at the park at this link. If you wanted to make a serious knife and history trip out of it, you could go to nearby Tidioute (where natural gas was found, and helped create the history of cutlery in the region) or relatively close by Bradford, where you can visit Case’s factory. Finally, there’s going to be a knife show the same weekend held as a replacement for the Queen show (that was always held on the same weekend as the Rendezvous). I know about this show because it’s being organized by a member of the Allegheny Mountain Knife Collectors Association, but I can’t find a website for it so I can’t provide much more information, though I’m sure once you’re at the Rendezvous it’ll be easy to find more info.
Retouched photograph of the Drake Well, from WikiPedia Media Commons
There’s some SUPER cool knives to be had!
Last, but not least, GEC makes some really unique and interesting knives for the Rendezvous. To start, they make a very limited run of “Rendezvous Special” knives. These are the knives made to commemorate that year’s Rendezvous. They make a fixed number, 50 the last couple years, and sell a fixed portion of that each day. You have to get there early to get one, but Friday and especially Saturday seem to be less busy than Thursday. They also make parts knives, knives put together with parts left over from previous runs. These parts knives often have unique handle materials that differ from those used in the normal run. They also often are made in even lower numbers than the Rendezvous Specials, so they’re quite desirable to collectors. Last year GEC only allowed each person to purchase 1 parts knife, and I have heard that they plans to restrict each household to 1 Rendezvous Special and 1 parts knife this year, but that hasn’t been confirmed. Either way, they do a good job of keeping it fun and fair. I’ve been happy to collect the Rendezvous Specials from all the years I’ve attended.
The Rendezvous Specials from the last 5 years
So, will you be there?
I have attended the last 5 Rendezvous, since 2014, and I’m more excited for this one than any other! I hope to see lots of new faces and get to know lots of new people. I have created a facebook group for those planning to attend. You can find the group and request to join by following this link, just make sure to answer the questions. Hope to see you in Titusville!
This year’s Rendezvous is August 8th, 9th, and 10th. It’s at the Great Eastern Cutlery factory at:
Father’s Day is a time to celebrate the lessons handed down from our dads, grandfathers, and whomever we’ve been privileged to have as father figures. One of the things my father passed on to me is an appreciation for knives.
My dad is an avid outdoorsman. He was an Eagle Scout, fishes regularly, has gone on many extraordinary hunting expeditions that border on survivalist outings. His interest in knives stems mostly from the fact that they’re essential in those kinds of outdoors activities, as well their usefulness in everyday tasks. He isn’t a collector, though through the years he has accumulated a good number of knives. As a non-collector, he doesn’t often keep his knives in great shape and tends to get a replacement when his current carry breaks down. He originally used traditional knives and I remember him using them when I was younger, but he switched to assisted opening modern knives sometime in the 2000s. Due to his tendency not to hang onto knives like a collector, I haven’t been able to check out many of his older knives, especially from before he switched to modern knives.
My dad’s knife displayed in a geode
However, while visiting him this weekend I stumbled upon an old gem; his old fishing knife. The knife is a Case #48 Slimline Trapper. I knew right away from looking at it that it was Case’s classic Slimline pattern, and Case’s pattern number list confirms (linked here). It’s a knife that Case has made for decades and continues to produce today. It’s a great utility pattern; easy to carry because of the thin handle, good amount of belly for skinning and such, useful tip, and a long edge for the overall size. I am sure that the handles are jigged synthetic, but Case’s handle designation number system (linked here) only confirms that it’s either jigged synthetic, laminate, or bone. My dad said he bought it about 50 years ago and used it all the time as his fishing knife. I took a look at Case’s tang stamp dating system chart (linked here) and he wasn’t too far off; it’s a 1974 6 dot normal “s” model.
Case XX U.S.A. (normal “s”) 6 dot stamp
61048 pattern designation
It’s pretty dang cool to not only be able to look over a knife used by my dad for years, but also to confirm its identity and age. For a well used 45 year old knife, it’s in admirable shape. Sure, it has some blade play and lots of patina. Even some gaps around the scales and spring. But it has great action with snappy walk and talk, and a nice even grind and sharp edge. This Slimline Trapper is a real testament to the fact that a well made slipjoint knife can be used hard and last for decades. The knife below (bottom knife) is a Queen #11 Utility Trapper. It’s not called a Slimline Trapper because that term belongs to Case, but it’s the same pattern. It was a gift from my dad. I’ve used it many times while hunting and fishing, including on some trips with my dad. It already was a knife I’ll keep forever, but I appreciate it even more now knowing that my dad carried an extremely similar knife. Like lessons, our fathers can also pass down physical items like knives that are imbued with meaning.
Queen #11 Utility Trapper on the bottom
As an interesting post script note, upon looking closely I realized that the shield is not pinned even on this 1974 Case! So the glued shields must not be a new development for Case. This is very interesting to me, and I plan to do more research into when Case stopped pinning their shields.
TL;DR? Here’s the Knife Thoughts video to accompany this article. Don’t forget to subscribe to my YouTube channel!
This article will tell you all you need to know about the Allegheny Mountain Knife Collectors Association 2019 club knife. To put it simply, the knife is a Great Eastern Cutlery made Northfield #97 Allegheny in Autumn Gold Jigged bone. It’s a unique knife and an extremely fine knife. This article will explain the details on how it came about, it’s makeup and quality, and my thoughts on the knife as a whole.
Superbly built and classic looking
First off, what is the Allegheny Mountain Knife Collectors Association? The AMKCA is a knife club that meets once per month to show off knives, discuss current events in the knife world, and share the passion for knives. The membership is made up of collectors who, for the vast majority, primarily collect vintage knives. Some of the members are also interested in modern knives, but traditional slipjoints and fixed blades dominate the display boxes and knife rolls. Even with a relatively small regular attendance, at around 10 members, it’s always a treasure trove of incredible knives to “chicken eye and coon finger“. The members have also welcomed me with enthusiasm each time I’ve been able to make it to a meeting, despite my attendance being often irregular. The long time members are well acquainted with Great Eastern Cutlery, despite focusing their collections on vintage knives, and some even seem to be personal friends with Bill Howard (the owner of GEC). AMKCA was founded in late 1982 and has ordered a club knife each year since 1983, and the list of their yearly club knives is a sight to be seen for any traditional knife enthusiast. I first heard of the Allegheny Mountain Knife Collectors Association, funnily enough, by seeing their logo on a cornhole set at the GEC Rendezvous. I also met and spoke with a couple members at one of the Rendezvous I’ve attended, maybe 2016. However, I didn’t become a member until early 2018. Since then I’ve attended meetings as regularly as possible (as the meetings are the real value of being a member), including bringing my fiancee to the club’s very nice Christmas party, and I’ve also purchased the yearly club knives for both 2018 and 2019.
AMKCA Annual Knife List
This year’s club knife has an interesting, and somewhat confusing, story of how it came about. At the end of 2018 the club discussed getting a 2019 knife in stag on one of GEC’s new patterns, the #97 or #29. I wasn’t able to make the January meeting due to a vacation, but at the February meeting the liaison between the club and GEC said that Christine (GEC sales manager) had suggested the new #97 Allegheny large coke bottle pattern in Smooth Yellow Bone, due to a shortage of stag large enough for that pattern, and that the club needed to decide ASAP. Due to this suggestion, and the genuine fact that GEC is very accommodating in allowing the club to order a small number of knives each year (in comparison to GEC’s recent knife run quantities), the members voted to go ahead with the #97 Allegheny in Smooth Yellow Bone with the AMKCA blade etch and bear shield on Northfield trim (the Northfield trim on this pattern included polished blade and bolsters, a saber ground blade, double pull, and lined bolsters). A little while later the president of the club messaged me to let me know that GEC had offered jigged yellow bone for the handle material, and to see what I thought of that. I was all for it, as I don’t have a jigged yellow bone handled knife.
It’s not a small knife, as this comparison to the Spyderco Native shows, but like other large coke bottles it feels great in the hand
However, soon after that GEC posted a picture of the AMKCA club knife with Autumn Gold Jigged bone handles. Now, one of the things that you get to know about Great Eastern Cutlery after following them is that Bill Howard isn’t afraid to do things his own way, and their naming of handle materials, colors, and jigging patterns can be both redundant and random. For example, they often make a handle material called Antique Yellow Jigged bone that isn’t what most people would recognize as yellow (although a little yellow peaks through where the bone meets the bolsters). Still, Autumn Gold is not Antique Yellow, let alone plain yellow. So I checked with Christine and she confirmed it was Autumn Gold, but then a few days later I got the club newsletter shown below which seems to suggest that the knife would be plain yellow bone jigged! So I was very confused. Going into this month’s meeting (5/5/19) I was excited to see what version actually came to fruition.
GEC’s image showing the AMKCA 2019 club knife ready to ship
AMKCA newsletter / order form for the 2019 club knife
What I’d expect based upon the AMKCA 2019 club knife order form / newsletter above (this image seems to have originated on eBay, if it’s yours please let me know if it’s okay to use it)
As it turned out they are handled in Autumn Gold Jigged bone after all, and wow did they turn out great! First off, despite the confusion, I like the Autumn Gold color and the jigging pattern a lot more than I expected. I don’t always love jigging, particularly when the jigging pattern is uniform rather than random, but I think the large jig marks and side to side pattern fit the knife and look traditional. The color is also more caramel malty than plain brown, as some of the Autumn Gold bone I’ve seen has been. Although I still don’t think it would be my first choice, I am really happy with how the Autumn Gold jigged bone looks.
Allegheny Mountain Knife Collectors Association 2019 Club Knife, Great Eastern Cutlery Northfield #97 Allegheny in Autumn Gold Jigged Bone with Pin
The fit and finish of this knife is plainly incredible. There are no visible gaps between the backspring and liners, even when held up to the light. This is not an easy feat to accomplish on a traditional knife, and even GEC made knives (the best production knives you can get) sometimes have small gaps. The transitions between the bone and bolsters are smooth with no catching, another area that really demonstrates the care put into hafting the knife. The backspring is flush with the liners in the open and closed positions. All three of these attributes are areas that collectors look at to assess the quality of the construction. One thing that some of the collectors at the AMKCA dislike about GEC is their “sunken pins”. Sunken pins are those that are spun and countersunk, rather than being flush with the handle and held in place by hammering the face of the pin to expand it creating a press fit (a process known as “peening”). Most vintage knives are peened and have flush pins. I started out by collecting GEC knives, so sunk pins are what I’m used to and don’t bother me.
With another saber ground clip point hunter, a Queen Hunter rehandled in Canvas MicartaShowing the double pull and front grindsThe pile side might be even better lookingLook at those swedges!
Online, on BladeForums and the like, many people had complaints about light springs and off center blades on the #97s. In their earlier years GEC was known for having bear trap springs, with pull strengths between 6 and 9 out of 10. However, recently some of their runs of knives have had significantly lighter pulls. My #43 Oregon Trapper had a light pull strength, but great walk and talk and snappy action. The same can be said for my #97 Allegheny. It’s spring is closer to a 4 than a 6, and definitely lighter than most GEC knives I’ve had, but it has superb walk and talk with snappy action and buttery smooth opening and closing. If you want to get a better feel for the action, make sure to watch my corresponding video review linked here and at my YouTube Channel (and don’t forget to subscribe!). My blade is nearly perfectly centered, and certainly nowhere near an issue. The knife also has absolutely no blade play. I was slightly concerned that there might be blade rap (the edge hitting the backspring) because larger knives like this sometimes overtravel when closing, but as far as I can tell there’s none to be seen on my Allegheny. Overall, the attention to detail and immaculate fit and finish make this one of the best made knives I’ve ever received.
2018 club knife #46 Whaler in Abalone with the 2019 club knife
The only issue I’ve found is a small one and could easily be missed; the blade etch is slightly doubled, as if the stencil moved minutely during the etching process. It’s difficult to see, but the bases of the letters and the bars/lines are doubled just enough to perceive when you look closely. This is definitely more of a nitpick than an issue, and not something that would matter in the least in use, but I try to be as honest as possible and don’t hide any negatives. The fact that this is the only issue with the knife honestly just gives more credence to its overall excellence.
Barely visible double etch
One last point about the knife’s construction that came as a surprise to me; the AMKCA bear shield is glued. The Allegheny Mountain Knife Collectors Association has used a unique bear shield that resembles Bob Cargill’s three legged buffalo shield for decades. I like the look of the shield, but in checking inside this year’s club knife I noticed that there seemed to be no shield pin through the liner. I knew this meant that the shield was not pinned, but rather glued. I strongly dislike glued shields. In fact, GEC’s usual habit of ALWAYS pinning their shields is one of the things that signals their dedication to making knives the right way. Glued shields are a sign of a shortcut taken, as it’s much easier and less work intensive to just glue the shield into the handle material than to take the time to drill the hole, place the shield just right, and peen it into the handle liner. There’s just something less secure and classic feeling to a chemical bond holding the shield on rather than a mechanical bond. Now, I don’t think GEC did this as a shortcut; they had to do it, as there was no way they could pin the shields. It just so happened that another member of the AMKCA had a previous year’s club knife (also from GEC) with him that’s shield had fallen out! Upon further inspection of that dislodged shield, I found that the bear shields were not manufactured with pins. Aside from showing that GEC couldn’t have pinned the shields even if they’d wanted to, it also confirmed my dislike of glued shields. Heck, a glued shield is okay on a $10 Rough Ryder but it’s kept me from buying a $50 Case and it’s downright unacceptable on a $100+ GEC. Although I do like the look of the bear shield that AMKCA uses, I really dislike the fact that it must be glued and that fact honestly cheapens all the knives with that shield in my opinion.
All of GEC’s coke bottle patterns: #06 Pemberton, #45 Lumberjack, #97 Allegheny
All things considered, I’m very happy to have this knife in my collection. I really enjoy the coke bottle pattern, and this completes my trio of GEC coke bottle patterns they’ve made so far. If you’d like to learn more about the coke bottle pattern you can check out my article on the GEC #06 Pemberton. It’s a rare, unique, and extremely well made knife. It also represents the time I’ve spent at the Allegheny Mountain Knife Collectors club. I have decided to collect the GEC Rendezvous Special knives and the AMKCA Club knives, and I’m glad this club knife came together so well despite the confusion. If you’re interested in a Coke Bottle Hunter pattern knife, you won’t go wrong with a Great Eastern Cutlery #97 Allegheny. If you’d like to get one for yourself you can find several versions at a few of my favorite knife dealers: Blue Creek Cutlery, JSR Sports and More, and Traditional Pocket Knives. These dealers all have given me great customer service. I’m not affiliated with them, but you can let them know you heard about them on Knife Thoughts… can’t hurt! Unfortunately, if you’d like to get this specific AMKCA version you’ll have to get it on the secondary market, and even that would be difficult. I hope this article has painted a full picture of the 2019 AMKCA Club Knife Great Eastern Cutlery Northfield #97 Allegheny in Autumn Gold Jigged Bone for you, and has gotten you as excited about it as I am!
The question of what the “right way” to express enthusiasm for knives is one that shouldn’t need answered. I find it silly and overbearing for anyone to suppose that they should or can tell another the best way to enjoy a hobby. Still, I have gone through several phases in regard to the idea of keeping knives as collection pieces in contrast to keeping them as using tools, and I think others have had similar shifts in perspectives. In this post I’ll describe my progression through those stages and how my current collection looks… but no guarantees it won’t change again!
A tasteful knife display, the stand a gift from my fiancee
I, like many, started with having only one knife that I used for everything. I didn’t even really consider the idea of having knives as collection pieces, and probably would have scoffed at the idea had it been suggested. Still, I was what I would consider a knife enthusiast though, as I appreciated the knife not just as a tool but as a piece of mechanical workmanship that elevated man’s most ancient tool to a higher level. I think there is a silent but quite large population of people who fit this category; they appreciate a good knife and see it as more than a disposable tool, but they don’t venture further into the hobby with more knives and deeper research.
I store my modern knives in a cheap single layer tackle box
Most of my modern knives, all users to varying degrees
A desire to know more about a particular knife brought me to the next step in the knife hobby. I don’t remember exactly what I was looking up, but in the process I found BladeForums and my eyes were opened to the wide world of the knife hobby. As I read, watched, and listened I grew more knowledgeable on knives, the knife making process, and the knife community in general. At this stage I began to purchase more knives beyond one user, but the number stayed relatively low and all were used regularly. I think this represents another distinct stage in the knife enthusiast scale, as it is a step out of appreciating knives as an individual separate from any other enthusiasts, and into the larger knife community. I stayed at this stage for a while, buying and selling and trading knives as I learned. During this stage I never amassed a significant enough number of knives that any would go unused for long. I think this is a stage that a lot of people also stay in and don’t move deeper into the hobby from, but fewer than the previous stage.
I store most of my user traditionals, sharpening gear, and random EDC stuff in a multi layer tackle box
Some of my user traditionals
The final stage is reached when you have more than enough knives to use, but you keep buying them anyway! Often, I think people reach this stage also because they start to realize their preferences and build coherent collections. This is when knives accumulate to the point that some don’t get used. Another thing that often happens before this stage is you start to accumulate knives that are rare, have sentimental value, etc. that make them less likely to be used. This stage probably has the widest variation in expression; some people might have one knife they use all the time and 100 (or 1000) that they never use or carry at all, and some might have 100 knives that they carry and use in a rotation and only 10 (or 1) that they have as a non user collection piece. I fall somewhere on that spectrum closer to the latter end.
I store my non user knife collection in a Pelican case
Top Row: GEC #46 Whaler AMKCA 2018 Club Knife, GEC #46 Whaler 2018 Rendezvous Special, GEC #38 Special 2017 Rendezvous Special, GEC #74 Mustang 2016 Rendezvous Special, GEC #74 Improved Trapper 2015 Rendezvous Special, GEC #15 TC One Arm Barlow 2014 Rendezvous Special Bottom Row: Queen Copperhead, GEC #53 Cuban Stockman, GEC #82 Dixie Stock Knife, Victorinox Spartan Costa Rica
However, I don’t believe those stages tell the whole story of knife collecting. For me, being a knife collector is about enjoying the hobby. For some people, that means having and using one knife till the wheels fall off. For others, that means buying every trendy or appealing knife that comes out and keeping them pristine. For me, it has come to mean many things. First, it means enjoying the knives I have. While I do keep some knives as pristine as possible, I try to enjoy them by displaying them and showing them at knife club meetings and shows. Other knives I enjoy by carrying and using them. I find that using a knife is the best way to enjoy it. It just feels right to use a knife as a tool, and doing so seems to confirm its value and place as the most fundamental human tool. So, why not use all my knives? For a long time, I didn’t think I had a satisfactory answer to that question. I had valuable knives, both of the monetary and sentimental type, but I thought that if I didn’t use them it was a waste to keep them. However, that led me to sell knives that I later wished I had kept (which will be the subject of another article). Now, I’ve become comfortable with the idea that some knives are better kept in good condition whether it be because they’re valuable, part of a set, or meant to be an heirloom. I have a small collection of knives I don’t use. Some of them are the Great Eastern Cutlery Rendezvous Specials. These are knives made in small numbers for the gathering GEC holds in Titusville every year and only available at the gathering. They’re usually unique knives in some way. They’ve become the main part of my non user collection, as they’re easily the most coherent and rare set of knives I have owned. I actually did use the first couple of these initially, but later decided they were better kept in good condition to form a recognizable and consistent set. I also have a Queen Copperhead that is the best Queen made knife I’ve ever seen that I don’t use because Queen has unfortunately gone out of business. I plan to add some more Queen knives to my non user collection, as I want to have some examples from Queen as one of the most historic cutlery companies in the U.S. and they’ll only get scarcer the longer its doors have been closed. I also have some knives that have been given to me as gifts from friends, family, and loved ones. Despite it seeming silly to not use knives as tools like they’re inherently intended, some knives are worth maintaining in good condition for posterity.
Great Eastern Cutlery Rendezvous Specials on the knife stand from my fiancee, top to bottom: #46 Whaler 2018 Oily Heart Pine Wood, #38 Special LVS Paua Abalone 2017, #74 Mustang Primitive Bone 2016, GEC #74 Improved Trapper Tortoise Shell Acrylic 2015, GEC #15 TC One Arm Barlow Oil Sucker Rod Wood 2014
Thanks to my fiancee for the idea for this article and the inspiration for the title! In her words “Your heart wants to use all the knives but your head says you should keep some nice”. I can’t thank her enough.
This article will be less of a review of a particular knife and more of an overall look at a general knife pattern; the Trapper. The Trapper pattern has a long history and has become well known, or at least recognizable, to most Americans who are familiar with pocket knives. Whether you’re a fan of the pattern and want to know some of its history and specific characteristics or if you have no idea what a Trapper is and are picturing a knife with two spring loaded jaws for capturing small critters, this article will tell you all you all you need to know about the Trapper!
The Case Large Trapper in Yellow Synthetic is a great exemplifier of the Pattern
First, the Trapper is a pattern with a somewhat obscure history. The claim is often put forward on knife blogs and forums that it’s a pattern that’s been used since the frontier days of America when rugged mountain men trudged into the unknown mountains to live out their lonesome and hard, but proud, lives trapping for furs and fortune. Obviously, a knife pattern called the Trapper must have originated from its namesake profession. Unfortunately for the romantics out there imagining Jim Bridger and John Colter comparing their personal Trapper knives in the 1800’s, the Trapper pattern as shown above is a 20th century invention. Like many traditional knife patterns, the Trapper evolved from older types of knives into its own unique pattern in the early 1900’s during the so called Golden Age of American cutlery. In the early decades of the 20th century there was a multitude of cutlery manufacturers that were staffed by cutlers transplanted from the old European knifemaking centers of England and Germany. These companies and cutlers took many older patterns that were brought from Europe and modified them into their own unique American patterns. The Trapper is a great example of that process. The predecessor to the Trapper was probably a slim dogleg jack with about a 4″ handle and a clip point main blade and pen secondary blade. This type of knife was made as far back as the 1880’s, and sometime in the ensuing 4 decades some companies changed the pen secondary to a full length spey blade to make a slimmer version of the classic Trapper as shown above. It seems the beefier trapper with two full length blades probably didn’t appear until the 1920’s. It was probably first made by either Case or Kabar. In this period many knife manufacturers made knives to be branded and sold by other companies. Even more confusingly, many companies, including Case and Kabar, were connected through family ties. These circumstances can make it difficult to pinpoint the genesis of a particular pattern. The Trapper remained a relatively minor pattern until after WWII. Since then pretty much any knife company that makes traditional slipjoints has produced one or more variations of the Trapper pattern, and it has become a mainstay of the American pocket knife market. Speaking of variations, what exactly is (or isn’t) a Trapper?
Camillus Remington Master Guide, Case Large Trapper, Queen Utility, Rough Ryder Trapper, GEC Northfield Improved Trapper, Great Eastern Cutlery Mustang
The Trapper pattern covers a huge range of sizes, blade shape combinations, and even handle shapes. The above picture is a great example the ways in which the size and handle shape of the trapper can vary. Although the Trapper pattern developed from a slim dogleg jack (like the Queen Utility third from the left), it can also have a banana shaped frame (like the Camillus made Remington Master Guide on the far left or the GEC Northfield Improved Trapper and Great Eastern Cutlery Mustang both on the far right), and is probably best known as a beefier dogleg jack (like the Rough Ryder Trapper third from the right) sometimes with a swell on the blade well side of the handle (like the Case Large Trapper second from the left). As you can see, the Trapper’s frame can be one of several different handle shapes with variations possible even within those general shapes. Also, although they tend to stay within the 3.5″ to 4.5″ range, Trappers can land anywhere from the Case Tiny Trapper at 2.375″ closed to the Remington Master Guide at about 5.375″ closed.
Spear and Pen, Clip and Spey, Clip and Spey, Clip and Wharncliffe
The Trapper pattern can also have just about any blade shape style and combination you can imagine. However, the classic configuration is two full size blades with one being a clip point and the other being a spey blade. The clip point is a great all around blade because it offers a pointy tip (although Case knives, like the one below, often come with rounded tips), a solid amount of curved edge, and some straight edge also. The spey blade is historically designed for use in castrating animals, as the abruptly curved belly and lack of a significant tip make it a good blade for slicing and push cuts but not good at piercing (wouldn’t want to stab your livestock when they start kicking, which they will do if you’re using the spey blade for its namesake…). It’s possible that the spey blade was added for outdoorsmen (hunters and TRAPPERS, get it) to use as a skinning blade with less chance of piercing the guts, but my guess would be that it was added just as a novelty to have two full length blades and without much more specific reason than that. Still, it does make for a useful blade combination as it can be nice having two full length blades. I tend to use the spey blade for food prep and the clip point for everything else. Like the shape and size of the handle, the blade shapes on knives considered to be Trappers can go far beyond the classic clip and spey. There’s the Slim Trapper with a single turkish (slender) clip point, the Pen Trapper with a main blade that is most often a clip or drop point but can sometimes be a spey or spear point with a small/secondary pen blade, the Improved Trapper with a clip point and wharncliffe blade, and the Single Blade Trapper with one main blade (usually a clip point, but it can also be a drop, spear, or spey).
Clip Point blade
Spey blade
So, what is a Trapper knife? Considering all the variations laid out above, it might seem that there’s no real definition of what is or isn’t a Trapper. Well, a Trapper definitely is a jack knife, meaning the blades fold out of one end (unlike a pen style multiblade knife, in which the blades open from different ends), and the end the blades come out of should definitely be smaller than the butt end of the handle. A Trapper definitely doesn’t have a straight edged blade, like a sheepfoot or wharncliffe, as its only main blade. Within those parameters, a wide array of knives can be considered Trappers. Kind of like some other things, it’s something that’s difficult to define but you know it when you see it. Another great way to know if a knife is a Trapper is if the company that made it calls it a Trapper!
A great knife to use while camping or to cut hot dog sticks for a fire
The Trapper pattern is somewhat nebulous, but even still it holds a significant place in the American cutlery tradition. Every kind of Trapper has been made, even at least one modern flipper opening version! If you like traditional pocket knives you’re sure to be able to find a Trapper that suits your particular aesthetic and practical tastes.
A couple single blade Trappers
If you’d like to get yourself a Trapper I have some suggestions. If you’d like the nicest production Trapper you can get currently, and don’t mind carbon (non-stainless) steel, you should go with the Great Eastern Cutlery #48 Slim Dog Leg. Great Eastern Cutlery made knives tend to sell out relatively quickly, but they’ve been doing larger runs to try to better meet demand and there are a good number of these left on dealers’ sites. You can find some at Blue Creek Cutlery, my most often patronized GEC dealer. Ken is a good guy and has good service, don’t hesitate to ask him any questions you have before purchase. You can also find some, including some other handle materials, at DLT Trading. Those Trappers from GEC are USA made in small batches in Titusville PA and heirloom quality but also great users. If you’d like a more modern stainless steel (although not a super steel, using 8cr13mov) and don’t mind your knife being made overseas, the Sowbelly Improved Trapper from A.G. Russell is also a great option. These have a little less character and might not be quite as well finished but they are still really well made and good looking knives, and they’re less expensive than the GECs. If you’d like a less expensive option than the GECs but want to stick with good ol’ Made In U.S.A. quality, Case knives are made in Bradford Pa and aren’t quite as well fitted or finished as GEC but still make great using knives (and many people also collect them). Case offers a multitude of Trapper options: Full Size Stainless Steel, Mini Stainless Steel, Large Stainless Steel Single Blade with Clip and Thumb Stud, Slimline with option for Stainless or Carbon Steel, Full Size Carbon Steel. Another good option that’s really easy on the wallet is going with a Rough Ryder. These are made overseas and sometimes have some issues, but they’re definitely high enough quality to make good users and often are really nice looking for the price, which is significantly lower than any of the above options. Smoky Mountain Knife Works owns the Rough Ryder brand and carries a wide variety of Trappers in different shapes, sizes, and handle materials. Finally, if the modern style trapper I mentioned piqued your interest you can the Boker Plus Urban Trapper at this link.
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In 1865 John Stith Pemberton suffered a saber wound to the chest in the Battle of Columbus and subsequently became addicted to morphine. Searching for a replacement for the morphine he created a recipe for “Pemberton’s French Wine Coca”, a variation of a beverage combining alcohol and cocaine: cocaethylene. However, with social pressures against alcohol and looming temperance legislation in his resident city of Atlanta, he scrambled to create a new beverage without alcohol. Mostly through trial and error, with a little random luck, Coca-Cola was born. In the proceeding 150 years Coca-Cola has been adopted worldwide as the soft drink of choice, and one of the most recognizable symbols of that cultural empire is the classic Coke Bottle.
The classic Coca-Cola Bottle
The Coke Bottle traditional knife pattern was given its name in reference to the shape that it shares with the classic curves of the typical glass bottle used by and for Coca-Cola. Although there were probably knives made with this handle shape (more technically called an unequal end swell center jack) before such a bottle was used for Coca-Cola, the ubiquity of the brand and associated shape gave the pattern a unique name and lasting place in the wheelhouse of traditional knife manufacturers. So, to make it clear, a Coke Bottle pattern knife has two rounded ends, usually both ends having bolsters, with one end being smaller than the other and the blade or blades opening at the smaller end with a swell in the center of the handle.
The Great Eastern Cutlery Northfield #06 Pemberton in Smooth White Bone
That brings us to Great Eastern Cutlery’s #06 Pemberton pattern. The Pemberton is a SMALL Coke Bottle pattern knife measuring at about 2.75″ closed with a 2.125″ blade and 2″ cutting edge (on this wharncliffe model). It was first produced in 2013 in single blade clip point and two blade clip point and pen models in several handle materials. In the beginning of 2019 Great Eastern Cutlery is manufacturing another run, this time in a single wharncliffe blade model and a two blade spear point and small sheepfoot model (we’ll talk more about those blade shapes later). They’re making Northfield branded Pembertons in Smooth White Bone (like the subject of this article) and stag, and Tidioute branded knives with Muslin Micarta and Dark Blue Jigged Bone.
The Pemberton is dwarfed even by the medium sized #15 frame TC Barlow
This particular Pemberton is extremely well made; a great ambassador of the Northfield brand. The action is nice with a relatively strong pull for the size of the knife at about a 6 out of 10, and great walk and talk and snap both opening and closing. The top bolster is both threaded (the three lines) and pinched, which I both like the looks of and appreciate in a user because I feel it gives a teence of extra grip in a pinch hold (the most often used grip when cutting). The smooth white bone covers are beautiful, with a nice cream color and little flecks of black in the voids left by the bone capillaries, and very finely fitted to the liners and bolsters so that there are no gaps. The shield is also particularly well fitted on this knife, and I much prefer this “small badge” shield over the “Tidioute” shield used on the blue jigged bone models. This knife also doesn’t have any gaps between the backspring and liners. The backspring is flush with the liners in the fully open and fully closed positions, but not the half stop position (I don’t consider this an issue at all, though I mention it because I know some people like the backspring to be flush in all positions). The only slight manufacturing imperfection on this knife is that the blade is about a half a millimeter off center toward the pile side, but it is in no means a practical issue.
Centering slightly off to the left, no gaps
I’m also pleasantly surprised with the design of this knife. Although I have and enjoy some of GECs other under 3″ patterns, I was concerned that this knife might be too small in the hand to really use due to being a single blade (unlike my other sub 3″ GECs). However, I’ve found this knife to be comfortable in hand, affording a solid 3 finger grip, and easy to use for appropriate tasks. The wharncliffe blade, though small, provides enough cutting edge to do quick work of cutting paper, opening boxes, snipping strings, opening letters, and even breaking down cardboard. This isn’t a knife made for carving the Thanksgiving turkey or skinning and butchering a deer, but it offers a nice thinly ground straight edge in a small package for daily small cutting needs. Also, this knife came from the factory significantly sharper than most Great Eastern Cutlery made knives which was another pleasant surprise. Speaking of small, this thing disappears in your pocket. It’s small enough that it actually sits horizontally in the watch pocket of my jeans, so I’m sure this would be a good low profile option if you work in a less than knife positive environment or have to wear more formal work attire than I do. That said, my typical carry of this knife will probably most often include another larger knife in case I run into a bigger cutting need.
The Pemberton with a Zero Tolerance 0561, a much different knife
The main reason I got this knife is because it fits into two mini collections I have built. I typically focus on just buying knives that individually appeal to me, but I do sometimes make little groupings based on some characteristic. I will be writing another article on my collection of Great Eastern Cutlery small and large pattern pairings and their relation to the upcoming #97 Large Coke Bottle, so subscribe for updates on that. Here I just want to point out the common factor between my collection of under 3″ closed GECs.
GEC #22 Magnum, #06 Pemberton, and #18 Beagle Frames
These three knives are the #22 Magnum, #06 Pemberton, and #18 Beagle. The shared characteristic between these three patterns are their blades; not that they have the same blades obviously but that, according to an engineer at GEC named Randy whom I’ve spoken to at several of the Rendezvous gatherings, the blades represented on the three knives shown are designed to be able to be built into any of the three patterns. What that means is that GEC designed Clip Point, Pen, Wharncliffe, Spear Point, and Small Sheepfoot blades which can all fit into any of these three frames (not that they’re interchangeable once built). So far GEC has produced the #06 with all 5 of these blade shapes (having done Clip Point and Pen on the previous run and doing Wharncliffe, Spear Point and Small Sheepfoot on this run), the #18 with 3 (Wharncliffe, Spear Point and Small Sheepfoot), and the #22 in only 2, the two blade Clip Point and Pen (the #22 is one of GEC’s three patterns with the fewest total number manufactured). This type of engineering oddity might not appeal to all Great Eastern Cutlery collectors, let alone all knife enthusiasts, but I think it is pretty cool and a unique strategy that allows GEC to more easily produce a wide range of different knives without creating new tooling.
Clip Point and Pen, Wharncliffe, and Spear Point and Small Sheepfoot blades
Overall, I think Great Eastern Cutlery got the recipe just right on this Northfield #06 Pemberton. It’s a small knife with superb construction and a classic style that’s tough to deny. John Stith Pemberton advertised his French Coca Wine as beneficial for “all those whose sedentary employment causes nervous prostration” which I think probably covers the majority of us reading this, but I also think the #06 Pemberton (especially in this version with the Wharncliffe blade) would make a more than capable and stylish cutting tool for the daily tasks of our modern lives and sedentary works.
